music

The montage of your memories

Being a high school yearbook adviser, I have one of the more peculiar positions among the people in my building.  Sure, I get to teach my staffers about photography, layout and design, and some aspects of journalism while playing with some really cool toys, but I also have a certain amount of power.  Because when you think of it, I–and the 10 or 15 people who are on my staff from year to year–control the memories of the student body.

Oh sure, when you graduate high school the memories that you have are your own and nobody else’s and nobody can actually go back and change history to suit their needs (with the possible exception of the Texas Board of Education), but when you leave high school it’s very likely that you leave holding a yearbook.  That yearbook is the last vestige of those four years, something that will sit on a shelf or be tucked away into a box until one day when you come across it while moving or glance at it while looking for your copy of The Unbearable Lightness of Being or dig it out after talking to a long lost friend.

What’s inside of that book are, of course, the memories that the yearbook staff has carefully crafted for you.  And the further away you get from high school, the more you find yourself agreeing with the masterminds who spent hours upon hours poring through candid photos, crafting captions, and going blind to make sure every element on the page was laid out perfectly.  Oh, you may have laughed at how much bullshit was in the book when you got it (or as I liked to call it, “fabricated memories you can cherish for a lifetime”), but when your 15th anniversary is around the corner, you will look through the book and say, “Yeah, I remember that!”

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And you say … “Stay” ….

When I started this blog about a month ago, I expected to delve into those things in popular culture that I inexplicably like; however, I didn’t expect to get personal this quickly.

Lisa Loeb & Nine Stories’ “Stay (I Missed You)” came out in the summer of 1994 on the soundtrack to Reality Bites (a film that is my go-to film for any day which I have off from work and nothing to do — “Stay” plays over the closing credits) and hit #1 for a few weeks in August, when both the song and the video, which features Loeb walking around an empty apartment while emoting the lyrics, were more or less inescapable.

This wasn’t a song I was supposed to admit to liking.  I had spent the majority of my high school career trying to fit in with my friends’ love of heavy metal–in fact, at least a few of my friends from high school are still hard core Metallica fans.  I owned just about every Metallica album up to that point, plus had B-sides and rarities on mix tapes made from imports that my friend Brendan had spent an inordinate amount of money on at Middle Earth Records in the Oakdale shopping center.

Needless to say, rolling up at anyone’s house with this song on my Walkman would have been a huge mistake, kind of like the time I left a Righteous Brothers cassette in and someone grabbed my Walkman out of my book bag, listened to it for a moment, and gave me a look that said, “What the fuck is this?”  But I’ve always had a love of music that wasn’t total aggro and didn’t threaten to blow out my eardrums with every single distortion guitar chord.

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