Life’s End (My Life as a Teen Titan, Part Forty-One)

130 Last Page

The last page of New Titans #130, which has a cameo by Nightwing.

I stopped reading Titans in 2011.  DC announced the New 52 and the new series looked so horrible (as did Red Hood and the Outlaws) that I finally declared that I’d had enough.  My life as a Teen Titan, however, really does end with New Titans #130.

I mentioned in the last entry that I saw the Previews solicit for the comic during parents weekend of my freshman year of college and was surprised that the series was coming to an end.  I wasn’t upset, though, because comics at the time were taking a back seat to everything else–movies, music, girls, beer–and while I still collected and read them, they became something to read on breaks and during the summer when I was on my own and wasn’t sifting through assigned reading.  The Titans during that time took an even further back seat, as I became more interested in other books as well as big events like Kingdom Come.

The Titans themselves would, of course, go on.  Arsenal had a special shortly following the end of the title, an international espionage story that did wrap up one loose end from the series–we find out that the Titans had disbanded at some point following the events of “Meltdown”–and even got a lettercolumn about New Titans #130.  About a year later, Dan Jurgens would write and pencil Teen Titans, a series that is a bit of an oddity but that I enjoyed and find to be underrated.  Then again, I haven’t read it in at least 10-15 years, so I’ll have to see if my opinion changes when I get around to it.  The Devin Grayson/Jay Faeber Titans series deserves much of the criticism it gets, and I have mixed feelings about the series that started in 2003, especially Geoff Johns’s run.  I intend to reread all of those comics all the way through, although I won’t be writing about them because they all feel like they are part of different times in my fandom and comic collecting life.

I started reading New Titans when I was thirteen and the final issue came out when I was eighteen.  By then, the comic store was no longer around the block and I was no longer a lonely, worried junior high school student.  Moreover, I had moved beyond the point where I was reading about the Titans because I was looking for characters with whom I could identify.  The 1980s books had been like watching a John Hughes movie or hanging out with my older cousins–these were people I might wind up being–and the 1990s comics had characters I wanted to get to know.  By the time that title left the world behind, I had stopped needing to have a personal investment in the people I was reading about.

And really, the timing of the end of the series was perfect because the subsequent relaunches did feel like going back to my old town or old high school and seeing that things weren’t ever going to be the same:  the Dan Jurgens title was the new class you didn’t know very well, The Titans was Wooderson period, and the 2003 Teen Titans was almost like coming back to teach (your dreams were your ticket out).

Closing out what wound up being an enormous blogging endeavour isn’t easy to do.  After all, this spawned a podcast that is still going and some of the posts I wrote have gotten quite a number of hits these last few years.  But I found a source of inspiration in the last pages of that very last issue.   Though he hasn’t been in the book since issue #0 (and even that was a cameo), “Where Nightmares End” concludes with the person with whom it started–Dick Grayson.  Standing on a rooftop, he thinks:

There have been so many moments to think about.  Moments good and bad.  Moments I’d love to live all over again … and others I’d pay anything to forget.  But I don’t think if I could I’d change any of them.  I move on, but I don’t leave my childhood behind as if it’s gone.  It can never be gone … while it’s so alive inside me.

The future’s always uncertain, but that’s okay.  If I’d know what was ahead of me all those years ago, I might have avoided all the bumps … but I’d also have missed all those laughs.

He then says,

Take care, guys.  You’re the best!

Marv Wolfman then gives a farewell to the audience and thanks everyone he’s worked with in the fifteen or sixteen years he’s been on the title and I’m glad that on some level, that he ended the series on his terms.  I’m also glad that even though it took a while, I had a chance to look back on comics that have been so important to my life as a comic collector.

In Country: Marvel Comics’ “The ‘Nam” — Episode 25

IC 25 CoverIt’s Thanksgiving and that means … well, humpin’ in in the boonies, unfortunately.  But the focus on this issue is not necessary the misery of our boys in the 23rd; rather it’s a look at the VC.  The ‘Nam issue #22, “Thanks for Thanksgiving,” is brought to you by Doug Murray, Wayne Vansant, and Geof Isherwood.  As always, in addition to the summary and review of the issue I’ll be talking about the story’s historical context as well as taking a look at the letters, ‘Nam Notes, and ads.

You can download the episode via iTunes or listen directly at the Two True Freaks website

In Country iTunes feed

In Country Episode 25 direct link

Pop Culture Affidavit, Episode 28 — Nothing is Trivial

Episode 28 Cover1994: The Most Important Year of the Nineties continues with a look at The Crow.  Over the course of this episode, I take a look at the comic book by James O’Barr as well as the 1994 film starring Brandon Lee.  Does this film hold up after twenty years?  Tune in and find out!

You can listen here:

iTunes:  Pop Culture Affidavit

Direct Download 

Pop Culture Affidavit podcast page

Meltdown (My Life as a Teen Titan, Part Forty)

New Titans 130For all of my devotion to The New Titans, it’s ironic that I almost missed the ending.  Okay, I wouldn’t have actually missed it because I had the book on my pull list, but the final issue came out during my freshman year of college, a time when I was incredibly disengaged as a comics fan.  In fact, I remember the day I discovered that the book had been canceled:  it was parents weekend and I was flipping through Previews while waiting for my mom and dad to show up.  The solicit for The New Titans #130 read FINAL ISSUE and featured a cover by George Perez that showed the current version of the team in the same exact pose as the original team did in the very first issue of The New Teen Titans back in 1980.  After sixteen years, Marv Wolfman’s nearly uninterrupted run on the title was about to come to a close.

The story behind this as told in The Titans Companion is basically that Wolfman had been fed up with editor Pat Garrahy’s mandates and manipulations for quite some time, and at a DC Christmas Party, asked to be taken off the book.  Being that the book was on the chopping block anyway, DC told Wolfman he could “have the book back” and he was given a few months to wrap things up.  He then set out to write a story that put every one of the original Titans who were still around back to some approximation of who they were.  The only restriction was that Wolfman could not use Nightwing, who was then well on his way to being entrenched in the Batman family.

What we got was “Meltdown,” a five-part story that is actually a four-parter with a first chapter that doesn’t really seem to make too much sense.  Then again, that issue is done as a fill-in by Dale Hrebik (whose only other credits are Deathstroke #50 and Annual #4) with art by Rik Mays with the other issues pencilled by then-regular artist William Rosado.  As far as storylines from this era go, it’s one of the stronger ones, although I suppose that’s not saying much.

Basically what happens is that while a fair amount of infighting happens among the team members, the Titans are summoned to Tamaran by Starfire and Cyberion–formerly Cyborg–because Raven has returned and is leading an entire legion of hostile aliens against Kory’s home planet.  After being attacked by a now-conscious Changeling, the group subdues their former teammate and Kory reveals that she has Raven’s soul self.  She is unable to heal Gar, but he is eventually cured when Raven draws all of the Trigon seeds into herself, basically revealing that Trigon himself is trying to use her as a vessel for his resurrection.

Her war reaches a critical point when she destroys Tamaran–and in one last act of bravery, Kory’s parents stay on the planet–and Starfire and Blackfire (two sisters who have had a reconciliation) lead their rebellion of sorts, finding their adversary and destroying Raven’s body as well as the evil contained within.  At the end, on a planet that will become known as New Tamaran (that is, until the Sun Eater destroys it in Final Night), Raven is good again and an ethereal/astral form; Gar and Cyberion go off to travel through space; Kory is pregnant with her new husband, Ph’yzzon’s child; and Donna Troy is still a Darkstar (and will remain a Darkstar until John Byrne gets a hold of her).  So status quo is sort of  reestablished.

Upon my reread, I realized that much like the rest of the post-Zero Hour Titans, this story is a bit of a mess.  I am not sure when Wolfman’s meeting took place in the creative process, but the first part feels like the start of an entirely different story than the one we got.  That could have been due to a different writer being on that issue, of course, but in New Titans #126, we have an Arsenal character piece that shows how the team has its problems.  For instance, at one point, the “kids” on the team play a bit of a “let’s catch you off guard with an ambush” prank and when Donna sees that Rose Wilson was involved, she goes off on them.  Rose responds with “You’re not my mother!”  It suggests that perhaps they were setting up some teen angst sort of storyline or something that would bond the kids on the team while fracturing the adults.

That never happens.  Instead, it provides a springboard for Wolfman, only taking the Titans he wants to take to Tamaran.  Mirage and Terra remain on Earth because it’s revealed that Mirage faked her miscarriage and is actually now in labor.  Supergirl is elsewhere.  Damage gets pissed off and quits, and Impulse literally misses the ride to space.  So we get the core group (with a couple of additions, like Green Lantern) and the final forced resolution of the Raven storyline.

Funny enough, I’d actually come to like some of the characters in this run.  Roy Harper’s crisis of confidence as a leader made him more interesting than he had been in the past.  I cared about Mirage and her very complex problems.  Even the mystery of Terra’s true identity was intriguing, as were character changes in people like Kory, who was becoming more of a warrior and less naive.  But in hindsight, it was time, and the bloom from the renaissance of five years earlier had faded long before.  It’s just sad that such a once-great book went out with a whimper.

Next Up:  The end of my life as a Teen Titan.

In Country: Marvel Comics’ “The ‘Nam” — Episode 24

IC 24 CoverThis time around, we have “Do Not Forsake Me” from The ‘Nam #21, a story that develops the potential romance between Clark and his nurse friend, Jane. Unfortunately, things don’t always go the way we hope they will. Brought to you by Doug Murray, Wayne Vansant, and Geof Isherwood. As always, in addition to the summary and review of the issue Ill be talking about the storys historical context as well as taking a look at the letters, ‘Nam Notes, and ads.

You can download the episode via iTunes or listen directly at the Two True Freaks website

Two True Freaks Presents: In Country iTunes feed

In Country Episode 24 direct link

In Country: Marvel Comics’ “The ‘Nam” — Episode 23

IC 23 CoverThis time around, it’s “Dominoes,” The ‘Nam #20, where we see the boys of the 23rd team up with Thai soldiers and get some resolution in the fragging of Alarnick storyine. Brought to you by Doug Murray, Wayne Vansant, and Geof Isherwood. As always, in addition to the summary and review of the issue Ill be talking about the storys historical context as well as taking a look at the letters, ‘Nam Notes, and ads.

You can download the episode via iTunes or listen directly at the Two True Freaks website

Two True Freaks Presents: In Country iTunes feed

In Country Episode 23 direct link

Binge and Purge

Live ShitI am pretty sure that if you asked him, the greatest moment of my friend Brendan’s adolescence was his first Metallica concert.  He and his friend were both members of the official fan club and were able to get front row center seats for the band’s concert at Jones Beach in May 1994.  I admit that’s pretty impressive.  The closest I ever got to any performance like that was second-row seats to Les Miserables that same spring; otherwise, my concert-going life has been relegated to what’s available or what I can afford–usually bleeders.

Anyway, this wound up being the culmination of a few years of Metallica fandom but also in a huge year for the band.  In 1991, they had released Metallica (otherwise known as “The Black Album”) and toured nearly non-stop up until they recorded and released Load in 1996, an album that is so divisive, it’s probably worth its own entry.  In the middle of all of this touring, the band released something that most bands do when they put out a successful record–a live album.

But it wasn’t just a live album; when you are the biggest band in the world, you release the biggest live boxed set the world has ever seen.  Released at the tail end of 1993 and called Live Shit: Binge and Purge, Metallica’s album came in a small trunk and included three CDs, three VHS tapes, a T-shirt, a booklet, stickers, and a fake backstage pass (there was another version released with cassettes instead of CDs and subsequent rereleases have replaced the VHS tapes with DVDs).  It retailed for $89.95, which was a lot of money then and actually still is a lot of money for a boxed set.  You’d have to be a crazy hardcore fan to want to spend that much money.

Which, to be honest, is the nature of boxed sets.  In fact, Barenaked Ladies even wrote a song called “Box Set” (on Gordon) wherein they satirize the product’s bloated nature:

Disc One
It’s where we’ve begun, it’s all of greatest hits,
and if you are a fan then you know that you’ve already got ’em.

Disc Two
It was all brand new, an album’s worth of songs,
but we had to leave the whole disc blank ’cause
some other label bought ’em.

Disc Three
This is really me in a grade school play;
I had about a hundred thousand lines but of course I forgot ’em. …

Disc Four
Never released before, and you can tell why.
it’s just some demos I recorded in my basement.

Disc Five
I was barely alive, I was coughing up a lung,
so they had to use a special computer as my replacement.

Disc Six
A dance remix, so I can catch the latest trend
and it’ll make you scratch your head and wonder
where my taste went.

And they can definitely be hit or miss.  The two Springsteen boxed sets that I have–Tracks and Live 1975-1985–are well worth their price tags.  But for the most part, the average boxed set is an overdone affair with a good $20 less than its price tag.  Live Shit: Binge & Purge didn’t suffer its price, eventually selling 15 million copies.

For my friends who were into the band (and to a lesser extent, myself) one of us obtaining this monster was a cause for celebration.  I’d heard live albums beofre, but a band we so favorited had never done anything like this, so putting an entire Metallica concert into the CD player and blasting it like we had tickets was awesome.  Plus, the band was playing music we hadn’t heard before or that we had heard of but had found hard to obtain.  I personally taped “Last Caress,” “Am I Evil,” and “Stone Cold Crazy,” and would go onto crib whatever I could from Brendan’s various bootlegs, imports, and singles (well, until Garage, Inc. came out in 1998 and replaced my need for the worn-out tapes in my car’s glove compartment).  And between that and “Breadfan,” I was good to go.  Brendan wasn’t and proceeded to collect any import or bootleg he could get his hands on.

If anything, like the nights they capture for posterity, live albums are time capsules and Live Shit: Binge and Purge is no exception.  It’s Metallica’s last gasp before they reinvented themselves as a Nineties band.  If I listened to it now, I’d probably be able to picture sitting in my friend’s room reading magazines and talking about hockey while James Hetfield grunted and roared away.

Pop Culture Affidavit, Episode 27: 1994 — The Year in Comics, Part Two

Episode 27 CoverIt’s It’s the big conclusion of my conversation with Michael Bailey about 1994 in comics.  Whereas we spent last episode talking about the comics industry, we spend most of this episode talking about what we thought were the most important comics of the year.the big conclusion of my conversation with Michael Bailey about 1994 in comics.  Whereas we spent last episode talking about the comics industry, we spend most of this episode talking about what we thought were the most important comics of the year.

You can listen here:

iTunes:  Pop Culture Affidavit

Direct Download 

Pop Culture Affidavit podcast page

And for your viewing pleasure, here is the Zero Hour/Zero Month promo video that Mike mentions in the episode:

In Country: Marvel Comics “The ‘Nam” — Episode 22

IC 22 CoverWe’re back in The ‘Nam with a look at issue #19, “Milk Run.” This time, the guys of the 23rd help out a Marine who’s been shot down. Brought to you by Doug Murray, Wayne Vansant, and Geof Isherwood. As always, in addition to the summary and review of the issue Ill be talking about the storys historical context as well as taking a look at the letters, ‘Nam Notes, and ads.

You can download the episode via iTunes or listen directly at the Two True Freaks website

Two True Freaks Presents: In Country iTunes feed

In Country Episode 22 direct link

A Banquet, a Song, a Date, a Mug

December_1963_oh_what_a_nightA few months ago, I was doing the dishes after breakfast, and after putting my coffee mug in the drying rack, I heard it crash to the floor.  I sighed and grabbed the broom and dustpan, and while sweeping it up, got annoyed.  I was annoyed at myself for not being careful, but also annoyed that a mug I had owned for twenty years was now gone.

The black coffee mug with a gold rim and “Sayville High School ’95” was the favor from my junior banquet, which took place on April 18, 1994. I honestly don’t know why it was called a banquet and not a prom–I suspect it had something to do with the seniors not wanting the juniors to call our dance a “prom” because my high school was all about that petty sort of crap–but it was the first formal school dance I ever attended.  In fact, if you want to get technical, it was my first date.

It is shocking to absolutely no one that I was an incredibly late bloomer.  Oh sure, I knew as early as elementary school that I liked girls, but at sixteen, I had not evolved socially beyond the awkwardness I had around girls when I was twelve.  I could control my behavior and wasn’t as obnoxious or immature in the presence of a pretty girl, but I still had ridiculous crushes on girls who were way out of my league, and even as late as college it took signals brighter than the average Times Square billboard for me to pick up on the fact that someone found me even marginally attractive.  In fact, at that point, my pursuit of the opposite sex amounted to asking out my crush in the ninth grade (and getting rejected) and getting friendzoned by someone prior to Christmas break, so the idea that I’d actually get a date for a dance was pretty ridiculous.

The junior banquet, though, was the social event of the year–at least for me, anyway–and because of that I felt that finding a date was necessary.  Okay, there was no stated obligation to find a date, but I definitely felt some sort of pressure to make sure I had a companion for the evening.  Maybe it was because my friends were getting dates or maybe because the dance was formal.  Personally, I blame our class’s choice of a theme song:  “Oh What a Night.” (more…)