As the 2024 Summer Olympics gets set to begin in Paris, I got together with Professor Alan to talk about our Olympics fandom. Join us as we discuss our love of the Games, my favorite moments, and what makes them so great.
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(more…)In Reality Bites, Winona Ryder and Ben Stiller are on their first date and she tells him that hte Big Gulp is “the most profound, important invention of my lifetime.” They hook up after that and the plot follows its trajectory of a twentysomething coming-of-age romantic comedy, but the line stands out as one of the many witty pop culture observations that are simultaneously the film’s greatest strength and biggest weakness. Okay, maybe I’m just using the word weakness just so show contrast, but I will say that there are moments in the movie where the catchphrases and allusions work and other timeswhere they wind up feeling ham-handed and forced. The Big Gulp line could have been the latter if in the hands of someone other than Winona Ryder, but she’s being silly and flirting in that moment, which makes Ben Stiller melt (and I admit, me too). Besides, we all know that there is no way, with all of the technological innovation we have achieved since the end of the Second World War, that the Big Gulp of all things could possibly be that important.
Or could it?
7-Eleven has kind of always innovated when it comes to the convenience store, and especially when it comes to drinks. For instance, they invented the coffee to go cup in 1964 (although the iconic Greek Diner coffee cup debuted around the same time, so I guess you can make a case for either being first). What became the Big Gulp debuted in 1976, as according to Smithsonian magazine, 7-Eleven came out with a 32-ounce drink that was circular on the bottom and had a square top “like a milk carton” (the magazine’s authors and editors could not find an image of it and sadly neither could I). The cup was created at the requrest of Coca-Cola, who was looking for a way to shift more product, since back in the 1970s, they were still selling their drink in glass bottles that went for 50 cents and included a “deposit,” meaning you’d get money back upon returning the bottle. 7-Eleven sold the 32 ounce up at the price of 39 cents and advertised no deposit, and it was an immediate hit. When the cup’s manufacturer could not continue to produce it for a little while because they were moving their manufacturing to Canada and had to take a hiatus in operation, Dennis Potts–who was in charge o fthe product at 7-Eleven–commissioned a new design and the Big Gulp as we know it came to be.
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Sometime in the Nineties, before the Lifetime Network took complete ownership of suspenseful TV movies, the networks–especially NBC–ran a slew of them and several were aimed at teens. They’d had success during the late 1980s with a bunch of kids/teen TV movies, such as Crash Course and Dance Til Dawn, but I would imagine that the shift to drama happened because of the popularity of teen television drama in the first half of the decade. The biggest things on television for adolescents were MTV’s The Real World and Fox’s Beverly Hills 90210, both of which provided enough drama (and in the case of the latter, soapy drama) that the network probably thought they could pull an audience.
I’ve seen bits and pieces of a number of these movies over the years, many of which star Tori Spelling, but also featured actresses like Tiffani-Amber Theissen, Kellie Martin and Candace Cameron and had titles like The Face on the Milk Carton or Mother, May I Sleep With Danger? In the fall of 1996, they put another one out, Lying Eyes, although this one stars Cassidy Rae, who at that point was probably best known for a recurring role on Melrose Place as well as its spin-off Models, Inc. She plays a high school senior named Amy who gets involved in an affair with a much older guy and then someone starts stalking her and …
… I honestly have no idea why, but I have not only seen this movie three times (once for the sake of this blog post and twice prior), but it’s stuck with me ever since it first aired nearly thirty years ago. I’ll try to get to that after I run through the plot.
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When my wife asked me what I wanted to do for my birthday, I replied like any soon-to-be 47-year-old would: I wanted to go to the arcade. In Charlottesville, that’s Decades Arcade, which is full of old (and some new) video games and pinball machines, some dating back to the early days of the video game era (and in the case of the pinball machines, the 1950s and 1960s). Upon arriving, I went right for what I think is one of the greatest games every put into an arcade: Star Wars, which was first released in 1983 and has you piloting Luke Skywalker’s X-Wing through three stages in order to destory the Death Star. It’s clearly blown out of the water by a billion other games that have come out since, but for my quarters, it’s the most fun you can have in an arcade.
Prior to that day a week ago, I had only played the Star Wars Arcade Game a few times in my life. I was six years old in 1983 and wouldn’t have the chance to frequent arcades until my late elementary school and junior high years, which was toward the end of that decade. By the late 1980s and early 1990s, the game had become a rare find in arcades that only had so much space and because the nostalgia for old games was a couple of decades away, often jettisoned older machines for whatever was new and popular. So I spent those years playing After Burner, X-Men, Teenage Mutant Ninja Turtles, Double Dragon, and Mortal Kombat. They had 16-bit graphics (which were the best in the early Nineties) and were way cooler than an old vector graphics game, although I’m pretty sure that if you put that machine in front of any 13-year-old in 1990, they’d get sucked in, especially if they spent any time standing around the Star Wars machine watching other kids play while they waited their turn like I used to do at Sayville Bowl. Come to think of it, I spent a lot of time in arcades watching other people play games or wandering around for a good hour or two because I blew all my money on sucking at Double Dragon. To this day, I’m more familiar with the demo screens of a number of games than the games themselves.
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Pop Culture Affidavit 