comics

1993, The Most Nineties Year of the Nineties

I don’t know if it’s because it’s been twenty years or because I’ve been seeing so many books from the Nineties sitting in my local comic store’s back issue bins but I have been in a mood to read some Nineties comics lately.  Okay, let me clarify:  I have been in the mood to read some Nineties comics lately.

We’re closing out 2013 today and I’d say that this was as weird a year as any when it came to comics and trying to come up with something to post on New Year’s Eve that was a sort of “year in review” type of post, I took a look at my current pull list and realized that I’m definitely not the type of person to be doing a “year in review” for 2013 because I have only read a handful of titles from the Big Two comics publishers and even those aren’t the Big Main from the Big Two.  For instance, I have not been reading Batman or its associated titles since the New 52 relaunch.  Yes, I have been checking out the Year Zero storyline digitally but for the most part I don’t feel like I connect with this version of Batman so I haven’t been reading him.  In fact, I got so tired of DC this year that I dropped Nightwing and Batwoman within a month or two of one another and the only New 52 titles that I’m still holding onto with a tenuous grip are Earth 2Wonder Woman, and World’s Finest.  My Marvel reading is even slimmer with the upcoming reprints of Miracleman and the Ultimate Spider-Man all-ages title being the only books on my pull list (though for the record I have picked up an issue or two of Hawkeye and may grab a few more before deciding if I want to add it to my pull list).  I have been reading more independent titles as of late, and while I don’t know what that says about me, I can at least say that they’re entertaining and worth the money (seriously, buy Rachel Rising and Herobear and the Kid.  Do it now!), but an expert at “what’s current” in comics I am not.

What this year has made me think about, if you haven’t gleaned yet from the introduction to this piece is, 1993, because it felt so much like that.  I started off this year with quite a number of DC books on my pull list and it dwindled down to what I just stated, mainly because I’ve been getting sick of the story-light, gimmick-heavy stuff that’s been going on.  Oh a crossover that spins into a billion books … again and look … variant covers and 3-D covers and all sorts of covery coverness!  You guys grab and fight over that, I’ll be over here with Scooby-Doo Team-Up.  And a quick scan of Mike’s Amazing World in January 1993 and December 1993 shows kind of a similar path.  At the beginning of 1993 I was buying all of the Batman, Superman, and X-Men titles.  By the end of 1993 I was down to Batman and the Titans.

So … what was the reason for the drop in interest twenty years ago?  I’d say money more than likely, but I remember that 1993 was the year that I became more discerning as a comics reader and collector.  I had started collecting three years prior and looking at the end of 1990 I was reading the Batman titles, New Titans, and would pick and choose from whatever Superman and Green Lantern were doing.  By the end of 1992 I was grabbing the latest HOT Image books and stuff like Venom: Lethal Protector #1.  Because I liked Venom?  Not really.  Because that was what people were buying?  Probably.

Oh God, I owned this at one point.

Plus 1993, when it comes to comics, was one of those years that was important because by the end of the year the bloom had definitely come off the rose as far as the comics speculation market was concerned with 1994-1995 being the time of the rather infamous market crash (I may be misremembering things and the market crashed in 1993 but things were still going strong at least at the beginning of the year).  I remember that my loyalties, which were already to DC anyway, strengthened as a result of feeling burned by various crossover events and big number one comics, and by the time I started my senior year of high school in September 1994, I was eschewing most gimmicky books and sticking to my guns, even if I still bought crap like R.E.B.E.L.S. ’94 (and as to why I was buying that title, well, some things are better left unexplained).

But aside from my becoming more finicky, what makes 1993 so important?  Why not choose 1992 (the birth year of Image, the Death of Superman) or 1996 (Kingdom Come, Marvel vs. DC) as the most Nineties year of the Nineties?  Well, here are fifteen reasons based on what I was reading (so even though “Emerald Twilight” started in the Green Lantern books in 1993 I never bought the issues–in fact, I have never actually read the story–and I never got my free copy of Turok: Dinosaur Hunter #1).  I’ve placed them in a particular order with the first item being something that is pretty awesome and still holds up well to the last one being best described as something I am embarrassed to actually have paid cash money for. (more…)

In Country: Marvel Comics’ “The ‘Nam” — Episode 13

The_'Nam_Vol_1_13Ed Marks’ tour in Vietnam ends in this issue as does Michael Golden’s tenure as the book’s penciller. Join me as I take a look at “… And a Wakeup,” the end of the first year of “The ‘Nam” courtesy of Doug Murray, Michael Golden, and Bob Camp. As always, in addition to the summary and review of the issue I’ll be talking about the story’s historical context as well as taking a look at the letters, ‘Nam Notes, and ads.

You can download the episode via iTunes or listen directly at the Two True Freaks website

In Country iTunes feed

In Country Episode 13 direct link

In Country: Marvel Comics’ “The ‘Nam” — Episode 12

Nam 12John Severin does a fill-in issue on art and Doug Murray gives us a letter home from Ed Marks as the boys of the 23rd take part in Operation: Cedar Falls. It’s “From Cedar Falls, With Love” in “The ‘Nam” #12. Plus: Meatloaf, Humongous Rock Star of the Universe!

As always, in addition to the summary and review of the issue I’ll be talking about the story’s historical context as well as taking a look at the letters, ‘Nam Notes, and ads.

You can download the episode via iTunes or listen directly at the Two True Freaks website

In Country iTunes feed

In Country Episode 12 direct link

In Country: Marvel Comics’ “The ‘Nam” — Episode 11

Nam 111966 draws to a close as Doug Murray and Michael Golden bring us Christmas in the ‘Nam with issue #11 and “‘Tis the Season,” a story that shows that sometimes your favorite holidays can get interrupted by Charlie when you don’t really want them to. As always, in addition to the summary and review of the issue I’ll be talking about the story’s historical context as well as taking a look at the letters, ‘Nam Notes, and ads.

You can download the episode via iTunes or listen directly at the Two True Freaks website

In Country iTunes feed

In Country Episode 11 direct link

Deathstroke: The Hunted (My Life as a Teen Titan, Part Thirty-Five)

Deathstroke 0The 1990s take a lot of crap from comics fans and in all honesty a lot of that crap isn’t fair.  But there are times when the effects of the era’s attitude are clearly seen and seen for the worst, which is when an established character undergoes some sort of transformation to make him or her “edgier” or “extreme” or “more exciting.”  Post-Zero Hour, this happened to The New Titans, which had a new lineup and a whole slew of storyline and character changes that were mainly the result of interference from a new editor (though the title’s writer, Marv Wolfman, obviously shares some of the responsibility for how the book eventually crashed and burned) and this bled over into the other Titans-related comic of the time, Deathstroke: The Terminator.

Prior to the 1994 crossover event, Deathstroke had been chugging along and probably faced a fair amount of declining sales (I haven’t been able to find the actual sales figures) since its debut, or at least through most of the latter part of 1993 and into 1994, even though the title had been a pretty consistent read throughout its run.  But with Zero Hour came a new editor, Pat Garrahy, and therefore came a new direction because Garrahy, much to the chagrin of Wolfman and quite a number of fans (especially in hindsight) was obsessed with the idea of “shaking things up” to the point where he didn’t seem to care about getting anyone upset or completely contradicting that which had come before (read: the Terra origin).  In fact, I remember hearing a story about how he was once at a signing or convention and pointed out to a fan all of the characters he had killed … and seemed pretty proud of it.  Granted, this story was something I heard on a message board back in the early 2000s and is more than likely not true, but it is indicative of the attitude of many an editor and many a company in the early 1990s:  do something shocking or crazy so that your readers are sure to pick up the book.

Like I said, for The New Titans it was a lineup change; for Deathstroke: The Terminator, it was a new art team, a new direction, and a title change to Deathstroke: The Hunted.

Starting with issue 0, Sergio Cariello took over on pencils and stayed with the book for the better part of a year and a half as he and his brother Octavio took Slade to Hell and back and dismantled much of the book’s supporting cast in a drawn-out storyline that involved two mystery villains and several major deaths.  Garrahy had Wolfman writing in higher octane mode than he already had (read: now EVERYONE WAS YELLING ALL THE TIME BECAUSE THAT’S WHAT COMICS DIALOGUE WAS IN THE 1990s!  EVERYONE!  HAS! TO!  YELL!) and the Cariellos drew with a very fast-paced style that sometimes lent itself well to the storyline but other times seemed rushed, much like the issues that came out.

Deathstroke 45“The Hunted” is a Slade-on-the-run storyline that starts in the Zero Month issue with Deathstroke being chased by the United States government because he is wanted for the murder of a Senator, even though he knows that the person he killed was actually a terrorist disguised as the Senator who was going to blow himself up at a public appearance and the real Senator had been murdered by agents of the Crimelord, who is now in charge of the nation of Zandia, the former home of Brother Blood.  The Crimelord is a villain shrouded in mystery.  He talks to his operatives via video chat using avatars and sits in shadows smoking a cigar and petting an owl (because when you’re an international criminal supervillain you need to be petting some sort of animal), so we don’t know his identity and that is something that will be some sort of huge reveal at one point or another.

It takes a while to get to that point because the six issues that make up “The Hunted” are the “Deathstroke on the run” and “We’re going to destroy everything” part of all of this that is quite formulaic.  The Zero Month issue establishes the story and it’s kind of jarring because there’s very little connection between issue #0 and issue #40, which was a run-of-the-mill action yarn.

So, Slade is on the run from the government.  He gets captured.  He gets rescued.  The Crimelord acts behind the scenes and manipulates a lot of things.  There’s also a mystery villain who will come to be known as The Ravager (the third Deathstroke-related character with that name) and Slade’s ex-wife Adeline is completely insane and obsessed with killing her husband.

Wash, rinse, repeat. (more…)

In Country: Marvel Comics’ “The ‘Nam” — Episode 10

Nam 10Episode 10 of “In Country” covers issue 10 of The ‘Nam, where Ed Marks copes with the death of Mike Albergo from the previous issue while on patrol in the city. Plus, we get a little more insight into the character of Ramnarain in “Guerilla Action” by Doug Murray, Michael Golden, and John Beatty. As always, in addition to the summary and review of the issue I’ll be talking about the story’s historical context as well as taking a look at the letters, ‘Nam Notes, and ads.

You can download the episode via iTunes or listen directly at the Two True Freaks website

In Country iTunes feed

In Country Episode 10 direct link

Also, here is a link to 11th Cav ‘Nam, the site I used for some of the research in this episode:  11thcavnam.com

In Country: Marvel Comics’ “The ‘Nam” — Episode 9

Nam 9

A major event in the lives of the 23rd and Ed Marks’s experience in “The ‘Nam” occurs in this episode, as I take a look at issue #9, “Pride Goeth …,” which is brought to us by Doug Murray, Michael Golden, and John Beatty. As always, in addition to the summary and review of the issue I’ll be talking about the story’s historical context as well as taking a look at the letters, ‘Nam Notes, and ads.

You can download the episode via iTunes or listen directly at the Two True Freaks website

In Country iTunes feed

In Country Episode 9 direct link

In Country: Marvel Comics’ “The ‘Nam” Episode 7

Nam 7This time around we take a break from the month-by-month in real time look at the Vietnam War for a history lesson. Wayne Vansant, who would eventually become the book’s regular penciller, joins Doug Murray and Michael Golden for a look at the origins of the Vietnam War in “Good Old Days.” As always, in addition to the summary and review of the issue I’ll be talking about the story’s historical context as well as taking a look at the letters, ‘Nam Notes, and ads.

You can download the episode via iTunes or listen directly at the Two True Freaks website

In Country iTunes feed

In Country Episode 7 direct link

Here is the CBS News story that I mention in the lettercolumn portion of the show …

And here is the trailer for Thrashin’!

Pop Culture Affidavit Episode 18 — Hey Kids, Comics!

Episode 18 CoverJoin me for a special interview with Rob Kelly, the editor of the amazing new book, Hey Kids, Comics!: True Life Tales from the Spinner Rack.  Rob and I spend an hour discussing the origins of the book, the love of comic books, and why this book is incredibly special (an apologies in advance for audio issues on my side of the interview.  But Rob comes in loud and clear).

You can listen here:

iTunes:  Pop Culture Affidavit

Direct Download 

Pop Culture Affidavit podcast page

But more importantly, YOU NEED TO BUY THIS BOOK!!!

BUY IT HERE!

In Country: Marvel Comics’ “The ‘Nam” Episode 6

Nam 6Only happy when it rains? You’re the exception to the rule, especially in “The ‘Nam” as Ed Marks and the boys deal with the constant downpours of monsoon season in a story that can only be called “Monsoon.” It’s issue #6 of “The ‘Nam.” As always, in addition to the summary and review of the issue I’ll be talking about the story’s historical context as well as taking a look at the letters, ‘Nam Notes, and ads.

You can download the episode via iTunes or listen directly at the Two True Freaks website

In Country iTunes feed

In Country Episode 6 direct link