I was listening to some recent episodes of Trentus Magnus Jabs Reality where he, Jon Wilson, and Rebecca Johnson took an incredibly thorough look at Batman v Superman: Dawn of Justice. What is important about this three-part episode (available here, but I will say that it’s a total of six hours, so make sure you have the time) is that all three of the hosts genuinely enjoy this movie and spend their time breaking it down to not only praise it, but also give it the nerdy hyper-analysis that I have come to expect and appreciate from pop culture podcasts.
What’s also important to note is that about an hour into the first episode, I turned it off, went to Target, bought the Ultimate Edition blu-ray (as well as my son’s school supplies), and came back home and watched it. Furthermore, I watched it and I enjoyed it.
Prior to this, I had only seen BvS once, when it was originally released in the theater in March 2016, and my experience had been less than positive. I had gone to a matinee showing on a Monday and was only one of a handful of people in the theater. I walked out feeling very frustrated, a much different feeling than the happy, soaring feeling I had after watching Man of Steel in 2013. While there were moments int he film I thought were genuinely awesome–every single moment involving Wonder Woman, for instance–something felt wrong. And that’s because the movie had been ruined for me before I even bought my ticket that day. I’m not talking about spoilers, mind you–I’m talking about how I had gone into the theater convinced that I was supposed to hate the movie.
When Man of Steel came out in 2013, I loved it but was then dismayed to find out that my opinion was relatively unpopular, especially among critics and a number of hardcore Superman fans. A couple of months later, at San Diego Comic-Con, the sequel was announced at a DC panel and that sequel was revealed to be a Batman/Superman movie. This was a full two-and-a-half years before the film would actually be released, and I’m pretty sure that DC, Warner Brothers, and Zack Snyder wanted to build on momentum they had from Man of Steel–and possibly take a shot at Marvel, who seemed to be announcing an entire universe’s worth of pictures every hour on the hour. What the announcement did, however, was create a wind tunnel of complaining on the Internet. Every bit of news about the movie–from Ben Affleck’s being cast as Batman to the first look at Gal Gadot’s Wonder Woman costume to the reveal of the full title of the movie–was met with ridicule and derision. Every picture became an obnoxious meme. Every trailer was picked apart as an opportunity for “everyone” to declare it a terrible movie. As a result, by the time it came out, a million fanboys had made up their minds and went to the theater just to feel smug that they were right about spending the prior two-and-a-half-years declaring it a failure.
Okay, I’m speculating and generalizing for the sake of making my point, so I may not be 100% accurate here, but what I can say accurately is that I went into the theater with all of that pissing and moaning running through my head. I was, in a word, prejudiced against the film, so I was never going to actually be able to enjoy it.
Now, that makes me sound easily influenced or perhaps even weak, and I’ll cop to that. But please also consider how powerful (and powerfully toxic) Internet Groupthink can be. I should have been pumped to see two of my all-time favorite superheroes on a movie screen for the first time. I should have been pumped to see the DC Universe, which I had more or less been reading about for 25 years, become more fleshed out than it had been in Man of Steel. I should have been pumped to see Wonder Woman–a character that was long overdue for a movie–on screen. And with the exception of that last one (I got very excited when Diana joined the Doomsday fight), I wasn’t. Instead, I started picking the movie apart from the first frame: why are the titles simple text instead of logo-tastic? Why do we have to see the murder of the Waynes again didn’t we already see this in 10 other movies? Why is this movie so dark doesn’t Snyder know where the contrast button is? Why is Lex Luthor acting like a loon instead of someone a little more collected? Why is Ben Affleck mumbling every line?
After doing that for two-and-a-half hours and only getting excited for the appearance of Wonder Woman (and to a lesser extent everything that teased the Justice League movie), it’s no wonder I left the theater both frustrated and exhausted.
I had avoided buying the movie since it came out on home video. It was a combination of factors, really–I had other things to spend my money on, I was buying all of the Marvel movies I still didn’t own, and I only buy movies I liked and I am not supposed to like the movie. Then, to bring this back around to the beginning, I listened to Magnus and his panel, and in the middle of part one said to myself, “I really should rewatch this.” $14.99 at Target wasn’t too bad of a price and I put it in while I hung out on a day off. Then, I finished listening to Magnus.
Listening to them, even if it was only for an hour before I watched the movie again, was a palate cleanser of sorts. I was able to put it in and take a moment to consider what I hadn’t seen as well as re-evaluate what I had. Plus, the Ultimate Edition’s additional 30 minutes flesh out the story in ways that serve the film way more than many “uncut” or “extended” versions of movies that are released on home video. And while I suppose this comes off as my letting someone’s opinion influence me … again …, I feel like what happened was more like I was finally able to watch the movie on my own terms without 30 months of Internet screaming ringing in my head.
I don’t completely agree with every bit of praise they heap upon the movie and I still think that as a film, it is flawed. For instance, I don’t see all of the subtlety and nuance that they point out in the episode; I think that Affleck’s “public Bruce Wayne” portrayal could have been a little more O’Bannion; I think that there are times where it’s too slavish to Frank Miller; I still think Snyder could use a lesson in how to use the brightness and contrast tools on his screen; and there were a number of musical cues that were TOO! ON! THE! MONEY! FOR! ME! But I saw, in clearer view, the themes that Snyder was building both overtly and subtly (despite my previous sentence, there is subtlety in the film). I thought Lex’s character arc was much better than I remember (even if Eisenberg did still annoy me at times). I saw how Affleck portrayed Bruce/Batman as someone who was becoming so obsessed with holding onto what control he can that he actually was completely losing it. I saw how on-the-nose Snyder was in criticizing our culture’s way of building up and tearing down its heroes. I saw Wonder Woman as still being so freaking awesome.
And much more. But really, in the very least, I can say that I spent three hours generally enjoying Batman v Superman and am now even more curious and perhaps even a little excited about what’s going to happen in Justice League.
Different distributors in the 1980s means different release dates for comics means that I’m putting this episode out two days before the last one. This time around, I take a look at The Adventures of Superman #429 by Marv Wolfman and Jerry Ordway, which puts the spotlight on Cat Grant in a sense, or at least gives us more insight into her relationship with her son Adam and his father. Plus, I walk down WWF memory lane by talking about Wrestlemania III and the legendary match between Randy “Macho Man” Savage and Ricky “The Dragon” Steamboat.
For the past 75 years, she’s been a hero and role model, and this summer she is getting her own feature film. I’m talking, of course, about Wonder Woman. To honor the mighty Amazon, I’m taking a look at two series entitled The Legend of Wonder Woman. The first, from 1986, is by Kurt Busiek and Trina Robbins and takes place right after Crisis on Infinite Earths, closing the door on the pre-Crisis incarnation of Diana while opening the door for the landmark George Perez run. The second, from 2016, is by Renae De Liz and Ray Dillon, and is an all-ages, out-of-continuity retelling of WW’s origin story.
Thirty years ago, I begn collecting comics for the first time. Now, I’m taking you back to those days with “Origin Story,” a comics podcasting miniseries where I will look at all of the comics I bought in 1986-1987 in “real time.”
THIS IS IT! THE BIG FINALE! And oh what a good one we’ve got for you! I’m joined by The Irredeemable Shag to talk about a book that not only showcases a plethora of DC superheroes, but characters from just about every DC genre I’ve covered. It’s Showcase #100, a 36-page spectaculary by Paul Kupperberg, Paul Levitz, and Joe Staton!
My look at the history of DC Comics through its many genres reaches its penultimate episode with the last non-superhero genre but the very first it published (literally), which is Westerns. While giving an overview of the many cowboys and frontiersmen that DC published since 1935, I take a look at New Fun Comics #1, which featured a story starring cowboy Jack Woods on its cover before heading over to a 1950s Nighthawk story and then Jonah Hex #48.
As I make my way through these very early days of buying comics, I see more and more how my purchases were influenced by other media. The two issues of Transformers that I just looked at are prime examples. Superheroes are another, as much of my early knowledge of the spandex set came from seeing them on television shows such as Super-Friends or Spider-Man and His Amazing Friends. Another source was, occasionally, my dad, who liked Superman and was a fan of the Christopher Reeve films (at least Superman and Superman II). That, of course, led to my purchasing all four issues of Superman: The Secret Years, and it led to my buying Superman #410.
