George Lucas

Sometimes, more isn’t that groovy

For so many good movies, there are the unfortunate sequels. Oh sure, there are good sequels out there, but there’s also Predator 2, American Pie 2, or Eddie and The Cruisers II: Eddie Lives. And I’ve seen all three of those, so I know.

Anyway, in the grand scheme of things, most of those sequels are pretty much forgotten, relegated to late night runs on random cable channels that cannot afford quality movies, and I don’t think I would have known there was a sequel to American Graffiti if it hadn’t been pointed out to me via Charles Champlain’s book, George Lucas: The Creative Impulse when it came out in 1992. While it doesn’t get the attention of Star Wars, Empire, Jedi, or the original American Graffiti, More American Graffiti is covered halfway decently. In reading about the movie online and watching it last week, however, I get the feeling that this one is ranked in the Lucas filmography as “At least it’s not Howard the Duck.”

Okay, that’s a little harsh, but it wasn’t a movie that I intended seeking out and had I not been showing American Graffiti in my advanced English class, I would have been fine with watching bits and pieces of it here and there throughout the years whenever I happened to come across a random showing on WPIX or on cable. Plus, when I looked it up on Netflix, it was available for instant viewing.

American Graffiti, Lucas’s 1973 classic, follows a group of friends on the last night of the summer. What Lucas and director Bill Norton do is set More American Graffiti on four consecutive New Year’s Eves, from 1964-1967. After an initial scene in 1964 where several characters from the original meet at a racetrack, the storylines go their separate ways: John Milner is drag racing cars in 1964; Terry “The Toad” is in Vietnam; Debbie is a hippie in 1966 San Francisco; and Steve and Laurie are a married couple in Modesto in 1967. (more…)