music

All the people tell me so …

The best songs sometimes start simply–a drum beat, a guitar riff, a hand clap, a guitar riff, or a keyboard followed by an opening lyric that every listener will remember and hopefully associate with said intro every time it’s played: “She loves you, yeah, yeah, yeah”; “I love the beautiful clothes she wears and the way the sunlight plays upon her hair”; “You know I told you once tonight that you could always speak your mind …”

For years, I’ve been trying to figure out why “What od All The People Know?” by The Monroes isn’t in the 1980s pop culture stratosphere.  It’s not without airplay and definitely not without its admirers, but it never had the honor of showing up on any of VH-1’s 20,000 1980s-related nostalgia shows from the last decade, nor have I ever heard it in a nostalgic movie trailer or seen it on a compilation (that I own or have seen in a record store).  If anything, I’d say the song is a “sleeper” of a hit, something that’s just … well, it’s just known.

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Let’s Dance in Style, Let’s Dance for a While

I guess that if you were going to comb through the annals of pop hits that have made their ways into senior proms and yearbooks, you wouldn’t expect to find lyrics about being resilient in the face of Armageddon.  No, your regular prom fare is about being the best of friends to the end or holding onto that girl or guy and never letting go.  Sometimes the song is written specifically to be used at a prom or graduation (I’m looking at you, Vitamin C) but “Are you gonna drop the bomb or not?” A lyric like that is unexpected.  Unless, that is, you went to high school on Long Island in the 1980s or 1990s, as my class—the Sayville High School Class of 1995—was one of many who dialed up Alphaville’s “Forever Young” for a slow dance at prom.

Running about 3:45 and coming from the 1984 album of the same name, the song was written by Marian Gold, Bernhard Lloyd and Frank Mertens, who comprised the German synth-pop band (whose original name was actually Forever Young).  Coming out at the height of Duran Duran’s MTV reign and around the same time as U2’s The Unforgettable Fire, “Forever Young” seems like it was an album that got lost in a sea of new wave songs that were ruling the playlists of stations like WLIR (later WDRE) in the early to mid-1980s.  However, though the title track only hit 65 on the Billboard Hot 100, stuck around, becoming a cult hit well into the later part of the decade, nearly three years after its release.  According an article in the June 11, 1988 issue of Billboard (whose text is included in the liner notes to the Singles Collection CD), the song was voted as #1 on a countdown by listeners of WDRE in 1988, and had a definite influence across the Island:

“Forever Young” is so slow and dreamy that Laura Branigan could cover it (and did).  While “Forever” was the top record of 1985 at WPST Trenton, NJ, where it is still played as an oldie, it hasn’t been passed from one hip, top 40 PD to another (Both “Blue Monday” and “I Melt With You” have).  It’s not even played everywhere in its own format.  It has shown up at various Long Island high schools as a class song in recent years.  The song’s popularity among teens may be due to its emphasis on mortality, a running theme in the bopper hits of the ‘70s.

WDRE, the name during the late 1980s and early 1990s of what was once WLIR, a leading modern-rock station based on Long Island.

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The montage of your memories

Being a high school yearbook adviser, I have one of the more peculiar positions among the people in my building.  Sure, I get to teach my staffers about photography, layout and design, and some aspects of journalism while playing with some really cool toys, but I also have a certain amount of power.  Because when you think of it, I–and the 10 or 15 people who are on my staff from year to year–control the memories of the student body.

Oh sure, when you graduate high school the memories that you have are your own and nobody else’s and nobody can actually go back and change history to suit their needs (with the possible exception of the Texas Board of Education), but when you leave high school it’s very likely that you leave holding a yearbook.  That yearbook is the last vestige of those four years, something that will sit on a shelf or be tucked away into a box until one day when you come across it while moving or glance at it while looking for your copy of The Unbearable Lightness of Being or dig it out after talking to a long lost friend.

What’s inside of that book are, of course, the memories that the yearbook staff has carefully crafted for you.  And the further away you get from high school, the more you find yourself agreeing with the masterminds who spent hours upon hours poring through candid photos, crafting captions, and going blind to make sure every element on the page was laid out perfectly.  Oh, you may have laughed at how much bullshit was in the book when you got it (or as I liked to call it, “fabricated memories you can cherish for a lifetime”), but when your 15th anniversary is around the corner, you will look through the book and say, “Yeah, I remember that!”

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And you say … “Stay” ….

When I started this blog about a month ago, I expected to delve into those things in popular culture that I inexplicably like; however, I didn’t expect to get personal this quickly.

Lisa Loeb & Nine Stories’ “Stay (I Missed You)” came out in the summer of 1994 on the soundtrack to Reality Bites (a film that is my go-to film for any day which I have off from work and nothing to do — “Stay” plays over the closing credits) and hit #1 for a few weeks in August, when both the song and the video, which features Loeb walking around an empty apartment while emoting the lyrics, were more or less inescapable.

This wasn’t a song I was supposed to admit to liking.  I had spent the majority of my high school career trying to fit in with my friends’ love of heavy metal–in fact, at least a few of my friends from high school are still hard core Metallica fans.  I owned just about every Metallica album up to that point, plus had B-sides and rarities on mix tapes made from imports that my friend Brendan had spent an inordinate amount of money on at Middle Earth Records in the Oakdale shopping center.

Needless to say, rolling up at anyone’s house with this song on my Walkman would have been a huge mistake, kind of like the time I left a Righteous Brothers cassette in and someone grabbed my Walkman out of my book bag, listened to it for a moment, and gave me a look that said, “What the fuck is this?”  But I’ve always had a love of music that wasn’t total aggro and didn’t threaten to blow out my eardrums with every single distortion guitar chord.

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Don’t wake me up if I’m dreamin’

The original lineup: Matt, Tiffani, Sly, Jenny, and Tony

You know, I was all set to write about something else (specifically, Commando) when of all people, Jimmy Fallon completely knocked me on my ass.  More specifically, he inspired me … and while you probably don’t know much about me, I will tell you that I am not easily inspired.

Last week, Jimmy Fallon reuinted the cast of California Dreams.

I cannot express how awesome this made me feel when I was surfing around the internet last night and came across the reunion video.  Watching it, I get that there’s a huge joke going on here — Fallon is definitely doing this for the silliness of it all (oh, and because he couldn’t reunite the cast of Saved By The Bell) and when they are performing the cast has a “Man, this was so lame” look on their faces.

And yeah, when it was first on television back in the early 1990s, it was kind of lame.  Airing on Saturdays in the late morning (around noon or so, I think) after SBTB, California Dreams was the story of a group of teenagers that had a rock band.  In fact, the show was created by Peter Engel, the same guy responsible for SBTB, who probably saw an opportunity after the show became popular and aired that Zack Attack episode.

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