1970s

Pop Culture Affidavit Episode 4: A Soundtrack for the End of the World

Pop Culture Affidavit Episode 4 CoverHey everyone, it’s time for THE APOCALYPSE!!!  And while you’re sitting around wondering if a civilization that’s been dead for the better part of half of a millennium was right about the world ending, I thought I’d supply you with some music.

You can listen to the entire episode, which is basically one big playlist, here:

iTunes:  Pop Culture Affidavit

Direct Download 

Pop Culture Affidavit podcast page

Below is a list of songs with videos provided where available …

Intro music:  Great Big Sea, “End of the World” (Live)

1. MC5, “Kick Out the Jams”

2. Andrew W.K., “Ready to Die”

3. Billy Joel, “Miami 2017 (Seen the Lights Go Out on Broadway)” (Live)

4. Nena, “99 Luftballons”

https://www.youtube.com/watch?v=La4Dcd1aUcE

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On Earth, Everyone Can Hear You Scream

“The Book of Alien,” published in 1979, had me scared out of my mind when I was a kid.

I think of all the movies I’m looking forward to this summer, Prometheus is at the top of the list. I know that being a huge comic book reader I would probably be more excited about The Avengers or The Dark Knight Rises, but when I heard that Ridley Scott was making a movie that had ties somehow to Alien, something in my nerd past reawakened and I remembered (suddenly? I mean it’s not like I ever really forgot) that when I was about 11 years old, the world he created in Alien was the center of my universe.

Okay, to be fair, the reason for that was more due to James Cameron’s sequel, Aliens, because up until the time I was in the fifth or sixth grade, I had only ever seen anything to do with Alien in the movie book–The Book of Alien–that someone on my bus had been passing around when I was in the second grade. Furthermore, what I had seen was a picture of the movie’s infamous “chestburster scene” (although at the time we called it “when that thing came out of the guy’s stomach”) and it scared the crap out of me.

I refused to watch Alien until I finally sat down and watched it during the summer before sixth grade–this was either the day before or the day of the incident where my father, who was wallpapering the living room–stepped on a razor blade and wound up with a few stitches in his foot. I don’t think I thought very much of the movie when I first saw it because it wasn’t as cool as Aliens, which I had already been watching on constant replay for the better part of a year.

Can you really blame me, after all? I was eleven or twelve and it was the middle of the “action Eighties” where I was into any movie that had large guns that shot lots of people, it quickly became my favorite movie. My friends and I would “play” Aliens (I was often Hudson to my friend Tom’s Hicks, although I think one time I actually played Ripley which I’m sure that some psychologist would have jumped on … but I have a feeling I just wanted to be one of the leads) when we wanted something slightly different than the “army” games we were used to playing after being kicked out of the house for watching Aliens way too many times.

But with anything from my childhood, my interest faded after a little while and I paid less attention to Ripley, Hicks, Hudson, Newt, and the other characters and more attention to things like baseball and the WWF. I would gravitate back toward Alien when I was in junior high after watching the original theatrical trailer while waiting on line to ride The Great Movie Ride at what was then called Disney’s MGM Studios in Disney World.  I knew I had seen the movie before, but trailers were hard to come by in 1990–you either had to have it as part of a commercial break on something you taped off of television or on another video tape that came out at that time, and considering that Alien was released in 1979 and then released on VHS for the first time by CBS FOX video in the early 1980s, that wasn’t likely to happen in my house.  The trailer blew me away and left so much of an impression that I remember trying to duplicate it as part of a computer animation project in my advanced computer graphics class in the ninth grade (I think it was a bunch of stills with quick cuts that wound up with no sound and a title in a really bad font … then again, it was 1991).

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Sometimes, more isn’t that groovy

For so many good movies, there are the unfortunate sequels. Oh sure, there are good sequels out there, but there’s also Predator 2, American Pie 2, or Eddie and The Cruisers II: Eddie Lives. And I’ve seen all three of those, so I know.

Anyway, in the grand scheme of things, most of those sequels are pretty much forgotten, relegated to late night runs on random cable channels that cannot afford quality movies, and I don’t think I would have known there was a sequel to American Graffiti if it hadn’t been pointed out to me via Charles Champlain’s book, George Lucas: The Creative Impulse when it came out in 1992. While it doesn’t get the attention of Star Wars, Empire, Jedi, or the original American Graffiti, More American Graffiti is covered halfway decently. In reading about the movie online and watching it last week, however, I get the feeling that this one is ranked in the Lucas filmography as “At least it’s not Howard the Duck.”

Okay, that’s a little harsh, but it wasn’t a movie that I intended seeking out and had I not been showing American Graffiti in my advanced English class, I would have been fine with watching bits and pieces of it here and there throughout the years whenever I happened to come across a random showing on WPIX or on cable. Plus, when I looked it up on Netflix, it was available for instant viewing.

American Graffiti, Lucas’s 1973 classic, follows a group of friends on the last night of the summer. What Lucas and director Bill Norton do is set More American Graffiti on four consecutive New Year’s Eves, from 1964-1967. After an initial scene in 1964 where several characters from the original meet at a racetrack, the storylines go their separate ways: John Milner is drag racing cars in 1964; Terry “The Toad” is in Vietnam; Debbie is a hippie in 1966 San Francisco; and Steve and Laurie are a married couple in Modesto in 1967. (more…)

Toast to Innocence

[A quick note:  this is actually something that I posted on an old blog of mine about four years ago; I decided to repost it here because while I was getting a post ready on Christmas songs, I remembered this and thought it was worth the repost.  I’ll have another, all-new post before the weekend.]

So I’m driving to the most depressing Food Lion on the face of the earth and I have Z 95.1, our local “Lite Rock” station on because they’re the greater Charlottesville area’s source for “All Christmas, All the Time” every holiday season and I hear that song about drinking a toast to innocence. Turns out it’s “Same Old Lang Syne” by soft rock god Dan Folgelberg. I don’t know why it’s on the holiday playlist but someone out there likes it.

Anyway, it’s been going through my head and while this particular commentary had me laughing my ass off, I still couldn’t help but look up the lyrics to break them down. And analyze them. Because it’s what I do best, right?

Same Old Lang Syne

Okay, so by looking at the title, I can see where this might fit into the holidays because “Old Lang Syne” is the song sung at New Year’s, and the phrase, according to Wikipedia, means … literally as “old long since”, or “long long ago” or “days gone by”. So perhaps there is some theme of reminiscing of days gone by or remembering things from long ago, which is what you tend to get from your average soft rock song.

Met my old lover in the grocery store
The snow was falling Christmas Eve
I stole behind her in the frozen foods and I touched her on the sleeve
She didn’t recognize the face at first but then her eyes flew open wide
She went to hug me and she spilled her purse
And we laughed until we cried

So we start out in a grocery store. The guy’s shopping for some peas or something like that, which is pretty interesting considering that the guy in the song is supposed to be Fogelberg himself and at he was a pretty successful musician in his day. But people have to eat, so maybe he was standing in Waldbaum’s in his leisure suit with a wide-collared shirt, gold chains and classic soft rock beard looking over a shopping list going, “Okay, got the chicken and the Potato Buds. They were out of cheddar, so I got swiss cheese. Shit, I forgot the paper towels. Oh well, I’ll get them on my way toward the register.”

He’s doing his shopping and he sees and old flame. But not just any old flame. A LOVER. You’ve gotta emphasize the word LOVER because it is quite possibly one of the dumbest words ever. There are only two ways I can accept the use of the word LOVER. The first is if you’re talking about someone you are screwing around on your wife with. That’s technically a LOVER. The second is if you’re Will Ferrell and Rachel Dratch in that SNL sketch where they play that creepy couple who says “My Lover” a lot. (more…)