High school reunion month concludes with my all-time favorite reunion movies and one of my all-time favorite John Cusack movies, Grosse Pointe Blank. For this look at the high school reunion of Martin Blank, professional killer, I’m joined by Michael Bailey (From Crisis to Crisis, Tales of the JSA, Views from the Longbox) and we talk about the movie, its characters, its music, and how well it holds up nearly 20 years after its release.
Everything’s a laugh riot here for this episode of my DC Comics retrospective, as I take a look at books that put the funny in funny books! I start out by taking a very quick look at couple of the short comic strips in New Fun Comics #5, then Brett and I read a story from Sugar and Spike #3 before Michael Bailey joins me for an in-depth discussion of The Adventures of Jerry Lewis #86. Finally, I finish up with quick looks at Ambush Bug #4, Ambush Bug Nothing Special #1, and Bizarro #2.
There is a scene toward the end of Romy and Michele’s High School Reunion where Toby (Camryn Manheim) tells Heather (Janeane Garofalo) that Heather’s constantly telling her to “fuck off” throughout high school really hurt her feelings. Heather, who at that point had come to the realization that Romy and Michele–whom she claims made her life hell in high school–went through hell because of the actions of the “A Crowd,” realizes that she made Toby’s life hell and says, “Tremendous!” While Garofalo plays Heather as the bitter and cynical one at the reunion, it’s a scene that is a lot more funny and perfect than the way I just described it. She’s just realized the truth about how bullying works within the high school social hierarchy: the kids on top picked on someone below them and that person found someone below them to torture and that person found someone below them, and so on.
It’s one of a few darker points made throughout a movie that is best known for its two ditzy main characters. Romy (Mira Sorvino) and Michele (Lisa Kudrow) are living in Los Angeles ten years after graduating from high school and leaving behind their lives in Tucson. While they clearly have fun, neither is particularly successful–Michelle is unemployed and Romy works the counter at a Jaguar dealership (where she is constantly hit on by Ramon in the service department)–and after Romy runs into Heather at the dealership (Heather got rich after inventing a quick burning paper that eventually was used in a special kind of cigarette), the two prepare for their high school reunion by flipping through their yearbook and it goes from happy and funny to a realization that they spent the better part of four years getting shit on by the “A Crowd,” which was led by Christy Masters (Jessica Campbell). Seeing that they’ve basically amounted to nothing and that they have to show up Christy and the A Crowd, they borrow a Jaguar from Ramon at the dealership, buy sophisticated-looking business suits and flip phones, and come up with a backstory about their having invented Post-Its.
This obviously falls apart, mostly due to Heather, who is unaware of the cover story and blows it right in front of Christy, who then take the opportunity to ridicule Romy and Michele for their lie in front of the entire class. It leads to Romy and Michele going back to their car, putting on custom-made dresses, and then marching back into the reunion where Romy walks right up to Christie and says:
What the hell is your problem, Christie? Why the hell are you always such a nasty bitch? I mean, okay, so Michele and I did make up some stupid lie! We only did it because we wanted you to treat us like human beings. But you know what I realized? I don’t care if you like us, ’cause we don’t like you. You’re a bad person with an ugly heart, and we don’t give a flying fuck what you think!
Christie and her minions laugh it off, making fun of their outfits, but Lisa Luder (Elaine Hendrix), who was once one of the A Group but lost touch with them over the years as she worked her way up the ladder at Vogue, compliments the outfits, to which Christie replies, “You’re just jealous. Because unlike a certain ball-busting dried up career woman, I might mention, we’re all HAPPILY MARRIED!”
“That’s right, Christie,” Lisa says “Keep telling yourself that.”
It’s one of my favorite exchanges throughout the entire movie because in a way it fulfills a fantasy that I’m sure quite a number of people who weren’t on top of the pecking order have had at least once. In fact, what writer Robin Schiff (who also wrote the play the film is based on, Ladies Room) and director David Mirkin (who was a longtime Simpsons writer and had worked on, among other series, the Chris Elliott show Get a Life) do is explore several scenarios that you’d expect from a movie that’s about a high school reunion:
The popular crowd still wants to act as if it’s on top
You want to see if your high school crush is still like you remember
There’s one-upsmanship to see who’s the most successful
You feel secure or insecure as to how his or her life has turned out
You come to realization that high school is not as important to your overall life as it seemed when you were there
There are all elements that could be taken seriously and even used for a drama, but Schiff and Mirkin turn what could be a middle-of-the-road movie into a weird, even crazy at times farce that is more of a “best friends” movie (I hesitate to use the word “chick flick”), and that’s what puts it above any run-of-the mill comedy of the time. It also capitalizes on what was then a growing nostalgia for the Eighties (The Wedding Singer would be released about 10 months later) with flashbacks to 1987 and a soundtrack that included Wang Chung, The Go-Go’s, Kenny Loggins, Belinda Carlisle, and Cyndi Lauper–in fact, what’s probably the most famous scene in the movie is a choreographed dance the ladies have with Alan Cumming to “Time After Time.”
Funny enough, nearly twenty years after Romy and Michele’s High School Reunion came out, it’s now a great movie to watch for Nineties nostalgia. The entire look of the movie just screams Nineties and I have to wonder if it was one of the things that the producers of Hindsight watched when they were planning their Nineties flashback series. And while I’ve skipped over quite a bit of the movie in favor of a couple of the themes it explores, it’s easily one of the best films about a high school reunion ever made.
For as long as DC has been publishing, talking animals have been part of their lineup. In this episode, I take a brief look at the history of DC’s funny animal comics with a story from The Fox and the Crow as well as some Looney Tunes stories. Plus, I take a look at the first appearance of Captain Carrot! Along the way, reading the comics for and with me is my 7-year-old son, Brett. So sit back and enjoy the zaniness!
So a couple of weeks ago, I wrote about a mix that I made for when the 15th anniversary of my high school graduation happened. I contemplated putting a mix together for 20 years and after some back and forth with my always awesome friend Laura, decided to put it together. Some of the songs on that playlist made it into episode 50 of the show, and for your listening/viewing pleasure here is the playlist in its entirety, Skipping The Reunion.
Social Distortion, “Story of My Life”
The Ataris, “So Long, Astoria”
Green Day, “One of My Lies”
Barenaked Ladies, “Shoe Box”
Brett Dennen, “When We Were Young”
Gin Blossoms, “Follow You Down”
The Replacements, “Color Me Impressed”
The Connells, “Stone Cold Yesterday”
Hootie and the Blowfish, “Time”
Bastille, “Flaws”
Better Than Ezra, “A Lifetime”
Indigo Girls, “Ghost”
R.E.M., “Half a World Away”
Fortunate Ones, “Wherever You Go”
Pet Shop Boys, “Suburbia”
The Cure, “In Between Days”
Andrew W.K., “Got to Do It”
Captain Tractor, “Icarus Wings”
[Unfortunately, there was no YouTube video available for this]
The 23rd gets ambushed in the main plot and subplots come to a head in “Colorblind,” which is the title of The ‘Nam #37, a comic brought to you by Doug Murray, Wayne Vansant, and Geof Isherwood. As always, in addition to the summary and review of the issue I’ll be taking a look at the letters, ‘Nam Notes, and ads.
In Country is back for a new year … not just 2015, but 1969! January 1969 kicks off with The ‘Nam#36: “What’s Going On?” a story where the racial tensions among the boys of the 23rd start to come to a head. Brought to you by Doug Murray and Wayne Vansant. As always, in addition to the summary and review of the issue I’ll be taking a look at the letters, ‘Nam Notes, and ads.
“Sounds of Silence” is the title of issue #35 of The ‘Nam and here we see the start of an important subplot involving racial tension between some of the boys of the 23rd. We also catch up with Ed Marks as he has a short conversation about My Lai right before heading home for Christmas break. It’s December 1968 and it’s all brought to you by Doug Murray, Wayne Vansant, and Geof Isherwood. As always, in addition to the summary and review of the issue I’ll be taking a look at the letters, ‘Nam Notes, and ads.
In “Phoenix,” the 23rd encounters some unsavory goings-on in a village and we get a little clue into Ice’s past. It’s The ‘Nam #38, brought to you by Doug Murray, Wayne Vansant, and Geof Isherwood. As always, in addition to the summary and review of the issue I’ll be taking a look at the letters, ‘Nam Notes, and ads.
WARNING: The episode has an explicit tag due to graphic description of torture.
After a bit of a detour back in the world, we’re in the ‘Nam again and so is Daniels, the communications officer who was more cut-up than cut out for combat. But he’s there reluctantly and has definitely changed. It’s “Back in the Saddle Again” in The ‘Nam #33 by Doug Murray, Wayne Vansant, and Geof Isherwood. As always, in addition to the summary and review of the issue I’ll be taking a look at the letters, ‘Nam Notes, and ads.