Comics Prehistory: Return of the Jedi

ROTJ1In my previous post, I wrote about the first comic I technically owned, although I only remember finding it years after I actually had “bought” it as a kid and it wound up feeling way more important later on, especially when I became an avid Batman collector and a fan of DC continuity, especially the continuity that centered around or was associated with Crisis on Infinite Earths.  Here, looking at the second set of comics, is something that was purchased because it was associated with the most important thing in my life when I was six years old and that was Star Wars.

To this day, Return of the Jedi remains the Star Wars film I saw the most in theaters and is the only film from the original trilogy that I saw upon its original release.  My father took me and my friend Chris to see the film at the Patchogue Indoor/Outdoor drive-in theater (the one that eventually became the UA Patchogue 13, which I wrote about in 2010: “Let’s Go to the Movies”) in 1983, would take me again to see it at the Sayville triplex when it was rereleased in 1985, and Amanda and I would go and see the special edition during spring break in 1997.  I will always have a soft spot in my heart for the film because of it being the one I saw in the theater (as opposed to Star Wars, which was on television and video and I had watched numerous times before seeing Jedi; or The Empire Strikes Back, which I saw via bootleg copy before it finally came out on video in 1984), and also because of how its merchandising shaped that part of my childhood.

Return of the Jedi StorybookYou could not escape Return of the Jedi in 1983 and 1984.  You may have not gone and seen the film (although I don’t know that many people my age who hadn’t seen it), but that didn’t matter because no matter what store you walked into, it seemed that there was something with a return of the Jedi logo on it.  Lucasfilm licensed Jedi to the hilt and when I was a the height of my kid fandom, I had a ton of merchandise that went beyond the toys:  sheets; cookies;  Dixie cups; a calendar; and my most prized non-toy possessions, which were the records, tapes and books that told the story of the film.  For myself and a number of other kids my age, owning these pieces of merchandise allowed me to relive the movie for at least a few years before I saw it again or owned my own copy on VHS (a copy I still actually have).

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A two-page spread of Star Wars merchandise, most of it from Jedi, as featured in “George Lucas: The Creative Impulse” by Charles Champlin

The comics, however, I have to admit, were not really a part of that.  My comic book buying as a little kid was incredibly sporadic–if I saw something I liked and my dad had enough pocket change, I would buy it, but there were rarely return trips to the store to get the next issue or anything like that.  But I did own the entire Marvel Comics film adaptation and that is because of something that is an integral part of the 1980s childhood nostalgia, which is the comic book multipack.

Return of the Jedi ComicsIf you’re unfamiliar with comic book multipacks, these were polybagged packs of three or four comic books that were stocked on the shelves of K-Mart, Toys R Us, and similar stores (for those local to Long Island, you’ll recognize the name TSS).  Sometimes they were entire collections of limited series, such as this, but other times they were three comics featuring the same character or characters.  I remember a number of times where  I would pick one of the multipacks off the shelf and try to see what the middle book was because you only could see the full covers of two of them.  Most of the comics multipacks were from Marvel, although DC produced them as well, and at some point in late 1983 or early 1984, the company bagged the entire four-issue series and put it on the shelves for the low, low price of $2.29, which was an 11-cent discount.

I really don’t need to get that much into the plot of the series because if you’re reading this, you’re probably familiar with the events of Return of the Jedi, and unlike, say, Marvel’s adaptation of Star Wars back in 1977, there aren’t major discrepancies between the comic and the movie such as deleted scenes left in or lines of dialogue significantly changed.  In fact, the thing that does make the Return of the Jedi adaptation unique is that it’s a separate miniseries from the then-ongoing Star Wars title that Marvel was publishing and it is only four issues long instead of the six that were given to tell the stories of Star Wars and Empire.  The creative team was the same as Empire‘s six-issue story arc, with Archie Goodwin handling the writing and Al Williamson and Carlos Garzon doing the art (the team on Star Wars back in 1977 had been Roy Thomas and Howard Chaykin).

ROTJ2In trying to remember how I got these comics, I seem to recall getting them from Toys R Us in Bay Shore, and it was one of those rare times when my parents took Nancy and I to the store and allowed us to pick something out because we didn’t get toys or anything like that at random very often–they were usually saved for Christmas or our birthdays.  Why we were at Toys R Us to begin with is beyond me, but I’m going to assume that either one of us was there to spend Christmas or birthday money or we were there to buy a gift for someone else, perhaps someone whose birthday party we were attending.  The comics and coloring books were all located on a newsstand rack that was at the end of the board games aisle at the back of the store (and honestly, the old-school Toys R Us layout is probably worth its own blog post, especially if I can find pictures), and what probably happened is that I saw the comics multipack, asked my parents to buy it for me, and since it was roughly the same price as an action figure (my usual go-to “can you buy me this” item because it was cheap and they knew it wouldn’t go to waste), they said yes.

I’d like to say that I read the covers off of the series, but quite honestly, I only remember one time where I read it in the car on the way to my grandmother’s house and what probably happened after that was that I shoved the comics in the desk where I kept all of my coloring books.  The storybook, which had bonafide photographs from the film was more important to me anyway.  And what that means was that I had vague memories of it beyond the covers–which, to be honest, are different characters striking simple poses in a way that can best be described as “serviceable” and nowhere near as dynamic as the adaptations of the other two films–so when I read the adaptation as part of the “A Long Time Ago …” Volume 4 omnibus that Dark Horse Comics released, I didn’t have any serious emotional attachment.

ROTJ3Still, I have to say that it is quite a disappointment.  Having to condense the entire movie into four issues means that Goodwin and Williamson are almost doing a retread of the photographic storybook, as it’s heavy on narration boxes and the panels look more like stills than dynamic depictions of action.  Granted, I know the story and knew the story when I first read it, so I didn’t and don’t need that feeling of “What’s going to happen next,” but this during an era of the Marvel Star Wars comics where David Micheline and Jo Duffy were writing some excellent stories and the work by artists such as Walt Simonson, Ron Frenz, and Tom Palmer was top-notch.  That’s not saying that Goodwin and Williamson were bad at their jobs, but reading Jedi as part of that omnibus package had me wondering what the series would have been like if those creators had taken on the task of adapting the film.

Instead, what we have is probably the very definition of a “disposable” comic book.  I mean, there are quite a number of comics out there that are ephemeral, but for something that had such a big impact on popular culture and the comics industry (especially Marvel) as Star Wars, the adaptation of Jedi reads as if it were to be consumed in the moment and then tossed aside to be put on a pile of coloring books, storybooks, and other things that would eventually make their way into a trash can at some point during a huge spring cleaning a few years later.

Coming next month:  Star Wars #81

Pop Culture Affidavit Presents: 80 Years of DC Comics Episode 15 — Christmas

80 Years Episode 15 Website LogoWell, it’s been a month since Christmas and you’ve all finally listened to all of the holiday-themed episodes that everyone else on the TTF network put out … so why not one more? That’s right, folks–we’ve kept the lights up and drinking egg nog way past its expiration date to bring you a look at FOUR Christmas-themed DC Comics. First up is a treasury-sized Rudolph the Red-Nosed Reindeer read by yours truly and Brett, complete with running commentary. I follow that up with Stella who discussed a Golden Age Batman story live at our local Starbucks. Then, it’s time to check in with the boy of steel and the Legion of Super-Heroes in a classic story that I reviewed with Michael Bailey. And finally, I fly solo for Team Titans #6. It’s festive! It’s jolly! It’s a month overdue!

Here’s where to listen:

iTunes: Two True Freaks Presents Pop Culture Affidavit

Direct Download

Two True Freaks Presents: Pop Culture Affidavit podcast page

In Country: Marvel Comics’ “The ‘Nam” –Episode 64

IC 64 Website Cover“The Death of Joe Hallen” hits its penultimate chapter with “Burned” from The ‘Nam #57. Joe and his Marine unit finish their covert mission for a CIA agent and try to find their way back to more friendly territory, but things don’t exactly turn out as planned. It’s brought to us by Chuck Dixon, Wayne Vansant, and Tony DeZuniga. Plus, I’ll take a look at the historical context for October 1970.

You can download the episode via iTunes or listen directly at the Two True Freaks website

Two True Freaks Presents: In Country iTunes feed

In Country Episode 64 direct link

Nam 57

Pop Culture Affidavit, Episode 57: You’re So Money!

Episode 57 Website CoverIt’s the first episode of 2016 and I’m back from Vegas, baby, so I’ve decided to take a look at one of the biggest independent film success stories of the mid-1990s, Swingers.  Directed by Doug Liman and starring Jon Favreau (who also wrote the screenplay) and Vince Vaughn, the film is a comedy about guys, Hollywood, and attempts at romance in their twenties.

iTunes: Two True Freaks Presents Pop Culture Affidavit

Direct Download

Two True Freaks Presents: Pop Culture Affidavit podcast page

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And extras for the sake of extras, here’s three of my favorite scenes from the film …

Mike leaves a message:

Playing Hockey:

Go Daddy-O:

Comics Prehistory: The Brave and the Bold #182

Scan0001I suppose it’s kind of funny to say that comic #1 in your collection (read: the first comic you purchased and still have) is only #1 on a technicality.  I own a copy of The Brave and the Bold #182 and have owned this comic since 1981; however, I honestly do not remember buying it.

My hometown’s local comic shop, Amazing Comics, opened in 1984 and the first comic book I ever bought there was an issue of Superman: The Secret Years.  But a few years later, probably around 1988 or 1989, my parents were cleaning out the attic and my friend Tom and I were helping them clean off some old stuff that they were going to give to a local church.  Most of these items were pretty typical–clothes and old toys, for instance.  In fact, several of the old toys were Fisher-Price Little People sets that nowadays would fetch about $40-$50 on eBay if my parents had the foresight to put those back in the attic.

Anyway, among those old toys was an American Tourister luggage set that my parents probably had owned since they were married in 1971, a pea-green hard-cased set that was actually pretty cumbersome to store and had been replaced with the type of suitcases that can be placed inside one another.  Tom and I were asked to open each of them up, dust them, vacuum them, and leave them on the back deck to air out before we put them in the car.  We did so, taking a break from actually playing with the Little People (because even though we were 11 or 12, it was toys we hadn’t seen and that’s what you do whenever you see toys), and when I opened up what used to be the toiletries and cosmetics suitcase, which is what I used to pack when I was very little and would spend nights at my grandmother’s, I found The Brave and the Bold #182.

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In the splash page, Batman gets a frightening surprise and Jim Aparo gives us some great cape.

It was obviously my comic book and I had obviously brought it with me when staying at my grandmother’s one night, but I cannot say when I actually bought it.  The cover date was January 1982 and the publication date, according to Mike’s Amazing World of Comics, was October 22, 1981, so the comic predated the opening of the comic book store and that meant that my father probably bought it for me when he took me to Greaves Stationary on Main Street because he was buying cigarettes and while he chatted up the people behind the counter, I perused the comics and picked this one out.  The fact that I hadn’t lost it–I remember owning at least one issue of The New Adventures of Superboy as well as one or two issues of The Amazing Spider-Man but what issues they were and when I got them is lost to time–is only by the grace of my forgetting it in a suitcase.

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Robin reminds Batman that he’s all grown up.

The Brave and the Bold, most comics fans will remember, started as an adventure anthology book and then became a superhero team-up book, eventually evolving into a Batman team-up book that ended with issue #200 and was “replaced” by Batman and the Outsiders.  The team-up in this issue is with “Robin, The Ex-Boy Wonder” and is called “Interlude on Earth-Two.”  Written by Alan Brennert with art by Jim Aparo, the story begins on Earth-2 with the adult Dick Grayson, aka Robin, teaming up with Starman Ted Kord to figure out how Hugo Strange, a man long thought to be dead, is creating crazy storms around Gotham City.  Meanwhile, back on Earth-1, Batman finds himself in a graveyard in a similar storm and after dodging a lighting strike sees is own grave.  Only it’s not his own grave; it’s the grave of the Batman of Earth-2, who had died a few years earlier in an issue of Adventure Comics.

Batman, after scaring a random couple who think they’re seeing a ghost, heads to the headquarters of  the JSA where he’s accosted by Robin, who thinks he’s breaking in before he realizes who he’s looking at.  The two recap who Hugo Strange is and then find themselves being attacked by relics from the Batcave:  Catwoman’s Pantherjet, and an old Batmobile, for instance.  Someone else joins their team as the old Batmobile attacks them and that is Kathy Kane, aka Batwoman, who Bruce remembers died years ago on his earth but is semi-retired on Earth-2.

Realizing that the artifacts that are attacking them are real, the Bat-team deduces that the only possible place that Hugo Strange could be attacking them from is the Batcave and they head there, which is where they have to fight the T-Rex that’s so famous as well as a Batman android.  Eventually an old and decrepit Hugo Strange shows himself, holding Starman’s cosmic rod (it had disappeared at the beginning of the issue), which he’d been using to control everything he’d been throwing at the heroes.   He tells Batman, Robin, and Batwoman how he had survived the fall that everyone thought had killed him back in Detective Comics #46 (and thanks to The Original Encyclopedia of Comic Book Heroes Vol 1 for that info) and then Batman attacks him, telling Strange that it’s not that he wants to destroy Gotham, it’s that he wants to die.  Batman tells him that he doesn’t have the guts to kill himself and eventually Strange admits it and uses the cosmic rod to turn himself to ash.  The story ends with Starman, who is nursing a broken arm, using the cosmic rod to send Batman back to his earth.

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Hugo Strange sends a Batman robot after our heroes and Robin has to “kill” his mentor.

By the way, there’s a Nemesis story in this comic but: a) I never read that as a kid, and b) I covered it back on episode 3 of 80 Years of DC Comics: Action-Adventure, so you can learn all about it there.

Alan Brennert is one of Rob Kelly’s favorite comic book writers and it wasn’t until recently that I realized that he wrote three of my all-time favorite Batman stories, including this one.  I’ve heard this covered on a couple of podcasts before and the two things that always come up are that the version of the Earth-2 Robin costume with the yellow pants and the green mask that covers most of his face are not everyone’s favorite and that through most of the story, Robin is resentful that the Earth-1 Batman is there and acts like kind of a prick.

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At the end of the story, Hugo Strange meets his end. Batman is kind of responsible, but we’re going to gloss over that.

When I was a kid reading this story, Robin’s resentment didn’t necessarily register with me and re-reading it now, I actually like the resentment.  Batman of Earth-2 died in Adventure Comics #462, which only came out three years prior to this, so in comic book time it’s very possible that not much time had passed between the death of the Earth-2 Batman and this particular adventure, although there were two JLA/JSA crossovers between now and then, so this is not the first time that the Dick Grayson of Earth-2 is encountering the Bruce Wayne of Earth-1.  However, while I don’t know if I’m being entirely accurate, this is probably the first time in a long time that the Robin of Earth-2 has been part of a Batman and Robin team.  Furthermore, Batman does boss him around quite a bit like a junior partner, and it actually is a nice bit of foretelling of how the Dynamic Duo of Earth-1 will have their tension boil over in the pages of The New Teen Titans and Batman of the Outsiders just prior to Dick becoming Nightwing.  Plus, I’ve always liked this version of the Earth-2 Robin’s costume.  I can’t explain why, because it would never really work if it were used in a movie or anything.  Maybe it’s the way it’s drawn by Jim Aparo because his artwork is amazing throughout the story and a reminder of why for years his Batman was “my” Batman.

As for the story, I love it because Brennert’s writing is really tight and he makes several callbacks to storylines way in the past (as evidenced by my having to use a comic book encyclopedia for reference) but doesn’t overwhelm things with contrivance or continuity.  In fact, he gives what could be a very heavy story about dealing with one’s grief, or having to unexpectedly confront feelings that you thought you’d worked through.  Plus, he plays the angle of the old, decrepit villain trying for one last victory very well, even if Batman kind of goads Hugo Strange into offing himself (it’s kind of “suicide by cop” if you break it down.

I would spend much of the early part of my comic collecting career loving alternate earths stories like Crisis on Infinite Earths. and I think this comic book is responsible.  I’m also happy at how well it holds up, especially when I’m pretty sure that a number of comics I’ll be reviewing for this series won’t.

Coming Next Month:  The Marvel Comics adaptation of Return of the Jedi

 

In Country: Marvel Comics’ “The ‘Nam” — Episode 63

IC 63 Cover“Whipping Post” is the title of The ‘Nam #56 and part three of “The Death of Joe Hallen.” Here we see Joe and his new unit take on a very secret, possibly sketchy mission into enemy territory that involves a connection to the Chinese and the CIA. It’s brought to you by Chuck Dixon, Wayne Vansant, and Tony DeZuniga.

Also in this episode is the return of the history portion of the show, as I cover November 1969.

You can download the episode via iTunes or listen directly at the Two True Freaks website

Two True Freaks Presents: In Country iTunes feed

In Country Episode 63 direct link

Some extras:  Here’s the cover to issue 56 …

The_'Nam_Vol_1_56

And here is the excerpt from Nixon’s “Silent Majority” speech that was featured in the episode …

Origin Story: An Introduction

Origin Story Promo Website Logo

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A few weeks ago, you may have heard me on Michael Bailey’s Views from the Longbox talking with him about Star Wars toys.  But you also heard me answer the one question that Mike asks every one of his first-time guests:  “What is your comic book origin story?”  For the most part, my story begins in about 1990 when I began reading Batman comics and Tim Drake was on his way to becoming Robin.  However, that’s the short version of my comic book origin story.  For the longer version, you have to go back to 1986, and that means I have been collecting comics for 30 years.

Now, that in itself is too simple a statement.  Yes, my true comic collecting career begins in 1990, but I spent the fall of 1986 until the spring of 1987 making regular trips to the comic book store and with the exception of an occasional trip or two would not head back after that for another two and a half years.  The reason for my pause in collecting mostly had to do with my losing interest in comics because I was ten years old and my popular culture interests back then had a lifespan of about six to nine months.  Furthermore, my comics corresponded with my taste in toys at the time–G.I. Joe and the Transformers–and by the end of 1987, my interest in those fell off as well.

But for that brief period, I took my first steps into a larger world and after talking to Mike, decided to take a look at what books were out during that period in 1986 and 1987 and see what I was reading.  Then, because I can’t let a good idea go to waste or because I’m a glutton for punishment (okay, probably both), I decided to turn said exploration into a podcast miniseries that recaps my very first year of collecting comics.  Origin Story will be a complete look at that year and I will review each of those comics on the day they came out, starting with G.I. Joe and the Transformers #1 on September 30, 2016 and ending with G.I. Joe: A Real American Hero #69 on November 17, 2017.

Before I begin that, however, I will be writing a series of blog posts that recap and review those comics that I owned before 1986, the books taht I remember buying at random or receiving as gifts.  You’ll be seeing Comics Prehistory over the next nine months as the lead-up to Origin Story.

The podcast will be part of the main Pop Culture Affidavit podcast feed, which you can find over at Two True Freaks, and I’ll post show notes and scans to the blog here.  For now, whet your appetite with the Origin Story promo and check back in a week or two when I present my first comic for the Comics Prehistory: The Brave and the Bold #182.

Pop Culture Affidavit Presents: Origin Story — Promo

Pop Culture Affidavit Presents: 80 Years of DC Comics Episode 14 — PSAs

80 Years Episode 14 iTunes LogoBe a good citizen! Don’t do drugs! Understand the dangers of unprotected sex and fight the stigma of AIDS. These are all part of various DC Comics public service announcements over the company’s 80-year history. In this episode, I tackle citizenship by looking at a classic one-page Superboy PSA; fight the war on drugs by looking at not one, but all three New Teen Titans Drug Awareness giveaways; and I contribute to AIDS awareness by looking at one-page PSAs featuring the DCU’s best and brightest as well as the mini-comic Death Talks About Life.

This episode is dedicated with heartfelt condolences to Mr. Shawn Engel, whom the TTF family recently lost. My thoughts go out to his family and friends in this difficult time.

Here’s where to listen:

iTunes: Two True Freaks Presents Pop Culture Affidavit

Direct Download

Two True Freaks Presents: Pop Culture Affidavit podcast page

In Country: Marvel Comics’ “The ‘Nam” — Episode 62

IC 62 Website CoverChuck Dixon, Wayne Vansant, and Tony DeZuniga bring us part two of “The Death of Joe Hallen” in The ‘Nam #55 as Joe Returns to Vietnam for some LRRP and falls in with a new group. Plus, I take a look at “Christmas in Saigon,” an episode of the classic 1980s Fox television drama 21 Jump Street.

You can download the episode via iTunes or listen directly at the Two True Freaks website

Two True Freaks Presents: In Country iTunes feed

In Country Episode 62 direct link

In Country: Marvel Comics’ “The ‘Nam” — Episode 61

IC 61 CoverChuck Dixon’s regular tenure as the writer for The ‘Nam begins with part one of “The Death of Joe Hallen,” a special five-party storyline featuring art by Wayne Vansant and Tony DeZuniga. In this issue, we get a closer look at Joe (whom we’ve seen briefly before) and what is waiting for him when he returns from Vietnam to Baltimore. Additionally, I take a look at another story of a vet returning home from Vietnam by looking at Bruce Springsteen’s classic song, “Born in the U.S.A.”

You can download the episode via iTunes or listen directly at the Two True Freaks website

Two True Freaks Presents: In Country iTunes feed

In Country Episode 61 direct link