MORE THAN ZERO: ZERO MONTH 20 YEARS LATER
In 1994 DC Comics published Zero Hour, a five issue mini-series designed to not only serve as a major summer crossover but also fix some of the continuity problems that had plagued their universe after the end of Crisis on Infinite Earths. Some have suggested that Zero Hour caused more problems than it fixed but at the time it was the dawn of an exciting new era for DC. To kick off this new age DC followed Zero Hour with Zero Month. As the name suggests all of the main DC books were rolled back to zero though each one had a different approach to the idea Some books featured a new origin. Some contained tweaks to the existing origin. Some contained brand new versions of old characters. All of them served as a jumping on point for new and old readers alike. To celebrate this new era (or perhaps to bury it) some of us in the comic book blogging community have banded together from remote galaxies to discuss how the characters we cover were rebooted/revamped by looking at the solicitations of our character’s zero issues as well as delving into the Wizard Magazine Zero Hour Special, which was a magazine published around the time of Zero Hour to promote the series, what was coming next and the history of DC in general.
I have been struggling for days to figure out some sort of simile or metaphor to use as a way to represent what the post Zero Hour Titans books were like. I figured it would be easy–I am, after all, a sports fan and have seen more than my fair share of lineup changes that were both beneficial and detrimental. But for some reason, I keep coming back to the first two weeks of July 1996 and what amounted to the last gasp of a dying relationship.
Kate was … well, I can’t say that she was a nightmare or anything, but it was the first relationship that I had ever been in where things lasted longer than a couple of nights or a couple of weeks. But by the time i was making my way through my freshman year of college, we both were slowly discovering that our high school romance wasn’t compatible to my being away at school. We spent the summer breaking up, getting back together, and fighting for various reasons–I knew she was cheating on me, I was getting some, we had concert tickets–and I am sure that we would have been done way before I left for school in August had it not been for that week in July when my parents were away and we, for some reason, were getting along. Of course, I would later find out it was because the guy she was hooking up with behind my back was also out of town, but ignorance proved to be bliss.
When Zero Hour hit, The New Titans and Deathstroke were both at that point. Deathstroke had been spinning its wheels with one-off action yarns after a very solid “World Tour” storyline in 1993 and the Titans was literally sputtering. W hole issues would go by where it seemed like nothing was happening, there didn’t seem to be any actual villains to fight (the Terraizer, really?), the team never felt like an actual team, and with the exception of a couple of really good Rik Mays-penciled issues, the art by Bill Jaaska was downright terrible. Enter new editor Pat Garrahy, who was assigned, much like Jonathan Peterson four years earlier, to do something, anything to keep the titles afloat. Zero Month, it was decided, was the perfect time to do that since Team Titans–the title I though twas the better of the three–had been cancelled, Nightwing was being given back to the Batman books, and the various other members of the group were sent packing in one way or another except for Arsenal and Changeling, who had given the team to the U.S. government and were somehow going to find new members.
Unfortunately for the readers, the new direction chosen was more of a complete dismantling of both books rather than a refocus. The solicits promised new and exciting things as Previews put a spotlight on the bold new direction that each book was taking:
The menaces that began to ravage characters in both books seemed to come out of nowhere. Yes, there was a lead-up to the Titans having an affiliation with the government, but the Deathstroke assassination plot and the Crimelord were simply dropped in, and by the time that Garrahy was let go from the title in late 1995/early 1996, the supporting cast of Deathstroke would be mostly killed off and Marv Wolfman would be given five issues to end his sixteen-year run on New Titans with at least some semblance of dignity.
I can’t tell if it is hindsight being 20/20 since I have read interviews about how displeased Wolfman was with his last year and a half on the title, but when I now read the features in the Wizard Zero Month special, I think I can already hear the disdain, or at least noncommittal:
Take a look at the last lines of each of those features and you see what seem like non-comments or at least prefabricated talking points:
The book has gone under a lot of changes in the past few years, but all were evolutionary … heroes died, new heroes replaced them, tempers flared, and because they were young, mistakes were made. That is the way life is. But now we begin with a new group. A revolution, so to speak. New heroes, all with their own lives, hopes and desires. This allows us to create a very different Titans book.
I think Slade’s ambiguous nature as well as not being sure what he’ll do next makes him someone you want to follow … His relationship with his ex-wife, his friends and co-workers is more than another ‘Man on a Mission’ comic. He’s not out to stop the mob. He’s not out to stop evil. YOu hire Slade, he does his job. Unofrtunately, his own life gets in the middle of things and mucks it all up.
I can’t remember if I found this all enticing, because prior to issue #0 of both titles, I was already a committed fan. I will say that the idea of a new artist on Titans was enticing and the conspiracy plot in Deathstroke at least had me interested and the way a “Titans Universe” was being cobbled together using Green Lantern, Damage, and The Darkstars was a draw, especially since I was already reading those titles. So I guess it worked on some level.
Unfortunately, the internal strife among the creators and editors contributed to the titles’ ultimate downfall. In interviews, Wolfman had said how quite a number of the plots from issue #0 onward were not his own and dialogue was completely rewritten and he went as far as to threaten to quit if Garrahy was going to continue. This new era lasted through a lengthy Deathstroke story involving the Crimelord, who was revealed to be Steve Dayton, and a Titans story where Raven was an evil soul-sucking dominatrix before everyone headed off to space in a forgettable four book crossover called “The Siege of the Zi Charam.” At a DC office party late in 1995, Wolfman was given notice about the titles being cancelled and eventually negotiated to have Garrahy removed from the book and began “Meltdown,” a storyline that more or less restored all of the characters that he loved to write to some semblance of normal.
Kate and I had our Zero Month … well, Zero Week, where everything was great and we remembered what worked, but after a while, we were left to look at the mess that was being ignored and had to make a decision to clean things up or walk away. One day, we decided it was over and haven’t spoken in nearly twenty years. And this is where the simile kind of falls apart because I would be back with the Titans a year or so later with Dan Jurgens’ Teen Titans book and then would follow them through The Titans, Teen Titans (the Geoff Johns title), and Titans before finally ending my relationship with the book when the New 52 was announced.
But that’s another breakup story.
A big thanks to Michael Bailey and Jeffrey Taylor of From Crisis to Crisis for having me be part of this crossover. Be sure to check out the links below to find out how other characters were treated during Zero Month.
We are back to our usual business this time around and back to Vietnam with a little detour into the Korean War along the way as Martini and Daniels find a soldier’s diary and we see his life in the army as told over the course of nearly 20 years. It’s The ‘Nam #45, “Looking Out for Number One” by Doug Murray, Wayne Vansant and Tony DeZuniga.
Everything’s a laugh riot here for this episode of my DC Comics retrospective, as I take a look at books that put the funny in funny books! I start out by taking a very quick look at couple of the short comic strips in New Fun Comics #5, then Brett and I read a story from Sugar and Spike #3 before Michael Bailey joins me for an in-depth discussion of The Adventures of Jerry Lewis #86. Finally, I finish up with quick looks at Ambush Bug #4, Ambush Bug Nothing Special #1, and Bizarro #2.
For as long as DC has been publishing, talking animals have been part of their lineup. In this episode, I take a brief look at the history of DC’s funny animal comics with a story from The Fox and the Crow as well as some Looney Tunes stories. Plus, I take a look at the first appearance of Captain Carrot! Along the way, reading the comics for and with me is my 7-year-old son, Brett. So sit back and enjoy the zaniness!
In 1997, Sean McKeever self-published his very first work, The Waiting Place, a story about the ennui that comes with being a young adult trapped in a town that doesn’t seem to be going anywhere. It was soon picked up by Slave Labor Graphics and McKeever along with Brendon and Brian Fraim and then Mike Norton finished the entire saga of the town of Northern Plains and its denizens in three volumes plus an epilogue.
Doug Murray is back after a brief fill-in by Chuck Dixon for The ‘Nam #44, a story entitled “Football Hero” that is a meditation on the fear that can paralyze a man, especially in the ‘Nam.
We are back in The ‘Nam with this episode as I take a look at The ‘Nam #42, which is called “Inquiry” and was written by Doug Murray with art by Wayne Vansant and Stan Drake. As always, in addition to the summary and review of the issue I’ll be taking a look at the historical context, letters and ads. And this episode has some special historical context to it, as issue #42 takes place in July 1969 so I spend some time on the Apollo 11 moon landing.
Pop Culture Affidavit 