There’s a line in Swingers where Mikey, played by Jon Favreau, talks about heading out to LA and mentions that part of it was because he was pretty sure they were “giving out sitcoms at the airport” to stand-up comics like him (or something like that, anyway). Naturally, this isn’t true and Mike’s really a struggling actor and comedian who spends the better part of his days lamenting his breakup with his girlfriend back home in New York. At the same time, there’s some truth to the line he has about stand-up comics and sitcoms, especially when you consider that both Jerry Seinfeld and Ray Romano had two of the longest-running sitcoms of the decade.
In 1993, NBC, which was riding the high of the success of two stand-up comedian-driven sitcoms, Mad About You and Seinfeld, decided to show off how much success it had been having by airing a one-hour primetime special called The NBC Super Special All-Star Comedy Hour. Meant to be a showcase of current talent as well as upcoming shows, it kind of acted like a comedian and sitcom version of the Saturday morning cartoon preview shows that we used to love as kids–an hour to stay up later than usual to see what we’d be seeing in the fall.
This show, which was hosted by Bill Cosby with some help from Paul Reiser, was something that I actually had been pretty sure for years I was actually misremembering. For years, I had been searching for some sort of evidence of it, evidence I thought would be easy to find since Reiser was on it, but a look at his IMDb profile didn’t bring anything up and I couldn’t find anything on the resumes of any of the other people I remembered. Until, that is, this past summer, I was going through a pile of old videotapes that I had grabbed from my parents’ basement and there it was, sitting on one of those random tapes. Yes, I’m sure I could have found this on YouTube if I really tried, but there was something so cool about scanning through an old VHS labeled “Tom’s Blank” and saying out loud to nobody at all, “I found it! I’ve been looking for this for years!”
The picture quality was solid even though the sound on the tape had deteriorated quite a bit, but it was good enough for me to watch it all the way through and take some pictures along the way (because nothing says quality blogging than pointing my cell phone at the basement TV).
We open with two women in NBC Peacock costumes doing a song and dance bit as Paul Reiser, who was going into his second season of Mad About You, which I think at that point was on Thursday nights at 8:00 with Seinfeld having officially moved into the 9:00 Thursday slot vacated by Cheers, doing a quick opening monologue before introducing Bill Cosby as well as Branford Marsalis and The Tonight Show Band, who were the musical accompaniment for the evening. (more…)
Its the SEVENTH AND FINAL EPISODE of the seven-part miniseries IT CAME FROM SYNDICATION! This time around, I wrap up my look at syndicated television of the 1980s and early 1990s with a look at a show that was a worldwide phenomenon and one of the ultimate examples of a syndicated television series. It’s the legendary David Hasselhoff series BAYWATCH. I take a look at a few episodes from the show’s third season, where Nicole Eggert, Pamela Anderson, and David Charvet joined the cast. It’s lifeguards making rescues and trying to navigate a high school where the queen bee is … Jessie Spano? Oh yes. It’s amazing.
It’s the sixth episode of the seven-part miniseries IT CAME FROM SYNDICATION! This time around, I continue my look at syndicated television from the 1980s and 1990s with a look at the “drama” category, which encompasses action, science fiction, and horror. I’m joined by friend and fellow podcaster Michael Bailey (Views from the Longbox) to talk about everything from Friday the 13th: The Series to Highlander.
It’s the fifth episode of the seven-part miniseries IT CAME FROM SYNDICATION! This time around, I continue my look at syndicated television from the 1980s and 1990s with a look at cartoons. Join me and Amanda (for her final appearance on the miniseries) for a look back at our childhoods and classics like He-Man, G.I. Joe, TMNT, Voltron, Jem, My Little Pony, Thundercats, and many more!
“Siege at An Loc” concludes as Ed Marks continues to experience the 1972 Easter Offensive in a story by Don Lomax and Wayne Vansant. Plus, we continue to go “Stateside,” this time catching up with Sgt. Poklow from the original run of the series. I also have a look at season 3 of China Beach.
It’s the fourth episode of the seven-part miniseries IT CAME FROM SYNDICATION! This time around, I continue my look at syndicated television from the 1980s and 1990s with a look at game shows. Join me and Amanda as we talk about everything from Jeopardy! to the $100,000 Pyramid and take our discussion beyond syndication for a look at Double Dare, Press Your Luck, and Supermarket Sweep!
It’s the third episode of the seven-part miniseries IT CAME FROM SYNDICATION! This time around, I continue my look at syndicated television from the 1980s and 1990s with a look at a category known as “Infotainment,” which includes news programs, sports programs, entertainment journalism, and talk shows. Join me and Amanda as we talk about everything from The George Michael Sports Machine to A Current Affair and The Oprah Winfrey Show.
It’s the second episode of the seven-part miniseries IT CAME FROM SYNDICATION! This time around, I continue my look at syndicated television from the 1980s and early 1990s with a look at that bastion of American television, sitcoms. From Throb to Out of This World to Small Wonder, I’ll be looking at the good, the bad, and the ugly when it comes to half-hour comedies on the non-network channels.
It’s the premiere episode of a special seven-part Pop Culture Affidavit miniseries, IT CAME FROM SYNDICATION! Starting with THIS VERY EPISODE, I will be taking a look at syndicated television from the 1980s and the early 1990s, covering a variety of genres and shows. For our first time around, I start off by talking about the history of syndication in the United States and then move on to my personal history with syndication as a kid on Long Island. Then, I go into the first type of programming that I’m covering: movies. From Siskel & Ebert’s weekly review show to WPIX’s Godzillathon, I discuss why coming across movies in syndication was so important to me as a kid.
When I was growing up on Long Island, in a house that was deprived of the sweet sweet bliss that was cable television, I had seven channels to contend with. While I could watch whatever was on the major broadcast networks and PBS, I also had the opportunity to view a number of programs that were syndicated.
Pop Culture Affidavit 