1990s

Amazin’ Baseball

Mazer CoverUsually when I write posts for this blog, I’ve recently read, watched, or listened to whatever I am writing about; however, I haven’t done my homework this time, choosing instead to set aside the movie I was going to write about and take a few hundred words to talk about Bill Mazer, who passed away earlier today.

Mazer, if you are unfamiliar with him, was a longtime New York sports journalist and commentator, one of the early guard of sports radio hosts, and was a mainstay on WNEW (Channel 5, now WNYW, the New York City Fox affiliate) during the 1980s, kind of the same way that George Michael was a Washington, D.C. mainstay with his “Sports Machine” highlights.  The New York Times has an excellent obituary of Mazer that I highly recommend reading, as I was struck by the extent and longevity of his career.

To be honest, I wasn’t that familiar with Mazer or his career, as I was too young to watch him on television and have only had a passing interest in sports radio (and only then it’s to listen to the occasional game).  But for the last twenty-three years I have had a signed copy of Bill Mazer’s Amazin’ Baseball Book on my bookshelf, and when I saw the obituary in the Times, I immediately pulled it off the bookshelf and will be reading it again for the first time since my Uncle Michael and Aunt Clare gave it to me for my thirteenth birthday.

The title page of my copy of Bill Mazer's Amazin' Baseball Book, signed by the author for my thirteenth birthday.

The title page of my copy of Bill Mazer’s Amazin’ Baseball Book, signed by the author for my thirteenth birthday.

As noted in my post about the 1988 Mets, when I was in the latter part of elementary school and through most of junior high school, I was a rabid baseball fan.  I’m still a huge Mets fan, but this was a time in my life when I was the encyclopedic sort of fan, the type of kid who read or watched everything about baseball that he could get his hands on and who enjoyed the most minute, trivial details about the history of the game (ironically, however, I found Ken Burns’s Baseball boring but I may give that a re-watch at some point).  Bill Mazer’s Amazin’ Baseball Book was the perfect gift, as it is both a memoir of his life and career in relation to the game along with page upon page of facts and stories about the history of the game itself.  The facts are presented in Q&A format with all sorts of tidbits, such as:

WHICH FORMER LOS ANGELES DODGER PITCHER APPEARED IN SUCH TELEVISION SHOWS AS THE LAWMAN AND THE BRADY BUNCH?

Don Drysdale.

It was questions like these (and their answers) that had me flipping back and forth through the book and poring over every page with my friend Tom in the back of his mom’s Ford Taurus on the way to Shea Stadium, and I think what’s always drawn me to shows and books about sports history, especially baseball history, even if my interest in the subject has waned from time to time, replaced with film, comic books, or whatever other part of popular culture I was obsessing over.  Mazer himself, in the introduction to his book, talks about being a fact-o-phile, a proto-Schwab, the type of guy who could rarely, if ever, be stumped.   In fact, the Times obituary sums it up perfectly:

Mr. Mazer’s boyhood idol, Van Lingle Mungo, became the title of a song by the singer, pianist and songwriter Dave Frishberg, consisting entirely of old-time ballplayers’ names. Mungo, who died in 1985, won 120 games and lost 115 with the Dodgers and the Giants, and he led the National League in strikeouts with 238 in 1936. It’s a fair guess that the Amazin’ would have known those statistics without having to look them up.

I’m a fan of experts like that, guys who have extensive knowledge and are experts on topics.  I have always liked having an answer to almost every question and even though it’s becoming a bit passe for people in my field to want to be considered “experts” on anything, I still enjoy just knowing stuff.  I’m sure my fellow sports fans and comics podcasters know exactly how I feel.

But as interesting as all of the facts, figures, and stories contained in Bill Mazer’s Amazin’ Baseball Book are, his passing also reminds me of how many of those in his generation are passing away.  Mazer grew up in Brooklyn during the golden age of the Dodgers’ tenure at Ebbets Field, an era that I’ve only read about in books or heard about in stories that older relatives, like uncles and grandfathers would tell years ago at family functions.  For my money, if I could go back to any era of baseball, it would be the late 1960s so I could see the 1969 Mets, but I remember sitting at many an extended family barbecue listening to Grandpa Panarese talk to my Uncle Brian about the Giants, the Yankees, and whatever other sports stories they had.

While I think it’s out of print, you can find used copies of Bill Mazer’s Amazin’ Baseball Book on Amazon and I recommend picking it up.  It’s truly a trip back in time, one that I’m looking forward to taking again.

Pop Culture Affidavit Episode 19 — August and Everything After

Episode 19 CoverThis time around, I have yet another guest on the show and it’s an awesome special guest, my friend chelle who spends about 90 minutes with me talking about the 1993 Counting Crows debut album, “August and Everything After.” We talk about the album’s history and go through it song by song and bring up everything that we like about the album and the band, which has been around for 20 years now.

You can listen here:

iTunes:  Pop Culture Affidavit

Direct Download 

Pop Culture Affidavit podcast page

After the jump, a few extras … things that were mentioned in the podcast. (more…)

Pop Culture Affidavit, Episode 14 — Life is a game. Easy to start. Hard to finish.

Singles PosterThis time around in the podcast I take a look at the 1992 Cameron Crowe-directed film Singles, a romantic comedy whose soundtrack became one of the definitive albums from the 1990s.  Starring Campbell Scott, Kyra Sedgwick, Bridget Fonda, and Matt Dillon and set in 1991 Seattle, Singles follows several characters in their twenties as they go through the complexities of trying to date and find love.

But of course, many people remember it for its music:  Pearl Jam, Alice in Chains, Soundgarden, Mudhoney, Smashing Pumpkins, and other bands important to the era make appearances on the soundtrack and even in the film, which is a great snapshot of a particular moment in our cultural history.

I spend the episode discussing the movie as well as my opinion of it and then spend a little bit of time on the soundtrack as well as a bit on its lasting legacy.

You can listen to the podcast via iTunes, or here:  Pop Culture Affidavit Episode 14

Also, if you’re interested, here is some extra reading–articles and blog posts that I used for research this episode …

Singles Soundtrack CoverSingles Turns 20: Who Would be on the Soundtrack in 2012?”  (Spin)

Singles: 25 Things You Didn’t Know About the Cameron Crowe Flick” (Moviefone)

“Where’s the Cast of Singles Now?” (NY Daily News)

Singles Soundtrack Turns 20″ (Stereogum)

Singles Production Notes (“The Uncool”: The Official Website for Everything Cameron Crowe)

“Mindhole Blowers: Cameron Crowe’s Singles Inspired NBC’s Friends and 14 Other Facts That Might Explode Your Head” (Pajiba.com)

“Five Ways Singles Ruined My Life” (Hello Giggles)

 

And as mentioned in the podcast, I have some pictures of my VHS copy, which was bought from the late, lamented Sayville’s Video Empire …

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Forever Evil (My Life as a Teen Titan, Part Thirty-Four)

Thunder and Lightning, who hadn't been seen in years, are taken by Evil Raven in New Titans #118.

Thunder and Lightning, who hadn’t been seen in years, are taken by Evil Raven in New Titans #118.

During the time I’ve spent the last few years blogging and eventually podcasting about my time as a die-hard Titans fan through the early 1990s, I’ve sometimes gone back to remember what I was doing as a comics collector when certain issues or storylines were coming out.  After all, New Titans #71 was not just my first issue of this series but it was one of my first comic books and had it not been for the Titans Hunt storyline and Wolfman-Perez-era back issues being so cheap at the time, I probably wouldn’t be so passionate about this particular group of super heroes.  It probably wouldn’t also pain me so much to read these post-Zero Hour issues because they are kind of painful.

Kind of like my life was in the winter of 1994-1995.  Oh, who the hell am I kidding, it’s not like I lost a limb or anything.  I had a girl break up with me in November and pissed and moaned about it until I started going out with another girl that following February (a story that’s best saved for another space and is … odd at times, to be honest).  But I was that nerd, the kind who barely had a girl look at him prior to this and now I had to contend with the fact that I had some semblance of a love life.  Plus, I was trying to get into college and still trying to get good grades, so my weekly comics haul, while important, sometimes took a backseat.  At times, I was disengaged, and I can see that in what I remember actually picking up from that week:

  • Aliens/Predator: The Deadliest of the Species #9
  • Batman #515
  • Batman: Shadow of the Bat #35
  • Darkstars #27
  • Deathstroke: The Hunted #44
  • Detective Comics #682
  • Flash #98
  • Legion of Super Heroes #65
  • Legionnaires #22
  • R.E.B.E.L.S. ’95 #4
  • Robin #13
  • Spawn #27
  • Star Wars: Dark Empire II #1
  • Superman #97

Add New Titans #118 to that and you get … well, I don’t know what you get out of all of that aside from an argument for a waste of money and time.  Half of those series I was buying because I had been buying them for a while, and some of them I had a genuine interest in (I wound up sticking with Flash right up until the time Mark Waid left), but I look at a few and go … huh?  I spent my money on that? (more…)

New Team, Old Foes (My Life as a Teen Titan, Part Thirty-Three)

New Titans 115I have to admit that I was a little hesitant about getting back to writing these posts about the Titans.  Part of this had to do with my being a little burned out on Titans and Titans-related comics as I’ve been working my way through all of the Dick Grayson-related stuff over at Taking Flight, and that’s why I took a bit of a break from all of them for a little while.  Part of it, however, had to do with whether or not I wanted to reread comics that are notorious for being representative of the nadir of the 1990s.  But I have soldiered on and am going to take a look at the first two story arcs over the course of the next few weeks as a way to get this back on track to its eventual conclusion.

The New Titans limped into Zero Hour having gone through a few disastrous storylines that were most known for their rather disastrous artwork and with a new editor at the helm (and a refreshing change in the art style) went through a lineup overhaul.  Gone were the characters introduced in the Titans Hunt era and now we had a new team:  Arsenal, Damage, Changeling, Terra, Mirage, Donna Troy (now a Darkstar), and Impulse, a team that seemed more or less “given to” writer Marv Wolfman instead of having naturally come together (and he has confirmed as much in interviews about this time) and that never really seemed to gel.

I am trying pretty hard to remember what I was into around this time.  I know that Harris and I were still writing the occasional letter to the book, even if we had given up our crusade to kill Donna Troy, but I also know that I was interested in other titles, plus I had a lot going on outside of comics being that the first post-Zero Hour issues hit the stands at the beginning of my senior year of high school.  But putting my personal life at the time aside, I can see that Titans was sort of lower on the priority list at the time.  A glance at Mike’s Amazing World shows that I was reading the following in October 1994:  Batman/Detective Comics (Prodigal had started), Damage (a series I intend to re-collect, re-read and do either an episode or a post about), Deathstroke: The Hunted (which I’ll cover soon), Flash (Waid and Weiringo doing amazing work), Legion of Super-Heroes/Legionnaires (at the beginning of the reboot, which I enjoyed), R.E.B.E.L.S. ’94 (Don’t ask), Robin (natch), Spawn (collected this until about #60, don’t remember much about anything in it), and Star Wars: Tales of the Jedi (soon after, I’d lose track of the EU).  I’m sure Batman was high on this list, as was Flash (I also had an on-again, off-again relationship with the Kyle Rayner Green Lantern book and the Superman titles), and looking at some of the other stuff being offered at the time I was missing out on some stuff (Starman, for one) but really not much.  1994-1995 were kind of nightmare years in the comics industry and I know that between being a senior and starting college, I really would be kind of going through the motions with a lot of my comics collecting until around the time Kingdom Come came out and I started to get back into things.   (more…)

Pop Culture Affidavit Episode 11 — The Columbia House Thirteen

Columbia House CoverHey everyone, take advantage of this special offer where you will get a ton of CDs for JUST ONE PENNY!

Does that sound familiar?  If it does, then you’re familiar with Columbia House, the record, tape, CD, and video club that flourished in the 1970s, 1980s, and 1990s and provided mail-order entertainment for America, one person at a time (or at least that’s what the commercial says).

So, this time around, I not only take a look at Columbia House but at my personal experience with Columbia House, as I got my very first CD player when I was sixteen years old (twenty years ago!) and also signed up, eventually starting my music collection with thirteen CDs.

I had very different tastes in music back then.

You can listen here:

iTunes:  Pop Culture Affidavit

Direct Download 

Pop Culture Affidavit podcast page

The following is a list of albums and songs mentioned in the podcast in case you’re interested in actually checking out the music (and if you are interested in purchasing some, use the Amazon link at Two True Freaks) …

  • Alice in Chains, Dirt (“Would?”)
  • Guns N’ Roses, Appetite for Destruction (“Think About You”)
  • Guns N’ Roses, Use Your Illusion I and II (“Breakdown,” “You Ain’t the First,” “Estranged,” “Pretty Tied Up”)
  • Elton John, Greatest Hits 1976-1986 (“I’m Still Standing,” “I Guess That’s Why They Call It The Blues”)
  • Last Action Hero Original Motion Picture Soundtrack (AC/DC, “Big Gun;” Def Leppard, “Two Steps Behind;” Aerosmith, “Dream On;” Cypress Hill, “Cock the Hammer”)
  • Denis Leary, No Cure for Cancer (“Asshole”)
  • Megadeth, Countdown to Extniction (“Symphony of Destruction”)
  • Nine Inch Nails, Broken (“Wish,” “Physical [You’re So],” as well as the remixes of “Wish” and “Happiness in Slavery” on Fixed)
  • Say Anything … Original Motion Picture Soundtrack (Peter Gabriel, “In Your Eyes”)
  • Singles Original Motion Picture Soundtrack (Paul Westerberg, “Waiting for Somebody”)
  • Stone Temple Pilots, Core (“Plush,” “Wicked Garden”)
  • Wayne’s World Original Motion Picture Soundtrack (“Wayne’s World Theme [Extended Version];” Queen, “Bohemian Rhapsody;” Jimi Hendrix, “Foxy Lady;” Gary Wright, “Dream Weaver;” Tia Carerre, “Ballroom Blitz;” Red Hot Chili Peppers, “Skiamikanico”)

Two Liters With a Pie

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The flat remains of a two-liter bottle of Diet Pepsi. Yes, that’s my kitchen in the background.

A couple of months ago, I was at a work function where food was being served.  We had a few tables of fried chicken and some sides as well as a table of two-liter soda bottles.   As I poured myself a cup of Diet Pepsi, I couldn’t help but think of how ubiquitous the two-liter is—it’s a party and holiday industry standard and has been ever since I was a kid.

I suppose that is  not something to get really nostalgic about, especially since it’s a plastic bottle.  It’s not the iconic 6.5-ounce contour shaped glass Coke bottle that is the “nostalgic” Coke bottle and it doesn’t have the personality of the 20-ounce bottle, which is easily accessible and personal, plus it’s shaped like an old classic glass Coke bottle so it calls back to images where people from the 1950s or so pop a top of a glass Coke bottle.  The two-liter has never had that.  When you buy one of those, you twist off the metal or a plastic cap, and don’t think twice about it.

Which is indicative of the area and time period that constitutes my youth.  Having been born in 1977,  I have this attraction to the shopping mall, the multiplex, and everything else in the suburbs.  It is an era that is by and large disposable and I think on some level, even though nostalgia has turned its eye a little more toward my formative years, that nostalgia is selective at best—it’s the music, the movies, the fashion.  Nobody is going to look at suburban life in the 1970s and 1980s with the same rose-colored glasses our culture uses for the 1950s.  Because the decades of my childhood are the rose-colored 1950s’ unfortunate afterbirth:  Levitt homes and small towns gave way to shopping malls, gated communities, and McMansions, especially where I grew up.  You cannot go anywhere on Long Island without seeing shopping malls or multiplexes.

But then, there’s the pizza parlor. (more…)

Pop Culture Affidavit Episode 10 — Remembering Bayside High

Saved by the Bell Cover

Do you know it’s been twenty years since Zack Morris graduated high school? Take a look back at the crew from Bayside High as I talk about Saved By The Bell–its history, its characters, my favorite episodes, and its legacy. Plus, a look at “Graduation,” the final episode to feature the original cast.

You can listen here:

iTunes:  Pop Culture Affidavit

Direct Download 

Pop Culture Affidavit podcast page

 

And as promised, below is the NBC Saturday Morning preview special from 1989, “Who Shrunk Saturday Morning?”

Because rock should make you feel good

RecordsI spent a lot of my teenage summers inside.  Oh sure, there were family vacations, Saturday afternoons playing hockey, and Tuesday evenings playing softball, but there were also entire weeks where I barely left the house, so much so that I knew that the same Craftmatic Adjustable Bed commercial came on every day at 1:00 p.m. on WPIX.

I think it was then that my father would force me out of the house by cranking the dehumidifiers in both the basement and den, therefore making it impossible to watch television.  That, or he’d find some sort of back-breaking manual labor for me to do.

Anyway, among the many types of commercials I watched were commercials for compilation albums.  Put out by companies such as Time-Life Music, these were collections of famous songs that fit a particular theme.  In Time-Life’s case, there were collections for different decades such as the 1960s or 1980s (I personally own all of Sounds of the Eighties), but there were also compilations such as AM Gold and Love Songs.  

The commercials were always pretty much the same.  There was some sort of intro, and then several song titles would scroll up the screen while either a clip or photo of the artist or stock footage of people from a Mt. Airy Lodge commercial was shown.  The song playing would change every once in a while and then you’d get some message about how you could order the albums, which usually came on record, cassette or CD (and later on cassette or CD).

But a select few took this commercial concept to another level.  There, of course was Hey Soul Classics  and its “No my brother, you’re gonna have to go buy your own!” and the classic exchange at the beginning of the Freedom Rock commercial:

“Hey, man, is that freedom rock?”

“Yeah, man!”

“Well, turn it up, man!”

And as awesome as those are, nothing trumps what has to be the most insanely bizarre yet spectacularly awesome compilation commercial of all time.  Dear readers (both of you), I give you Feel Good Rock.

The commercial starts out kind of silly, using old 1950s sci-fi footage in a way that is a pretty common commercial trope, but then takes a turn that just about nobody is expecting when instead of the simple footage of bands performing their hits or the classic stock footage of people being romantic and/or having a good time, we get two minutes–yes, two minutes–of people ridiculously lip-synching the hits contained on the album.  In some cases, there are people who have clearly been waiting their whole lives for this moment (the woman in the waitress uniform clearly is enjoying her moment in the spotlight), and in other cases, the people barely know the words (one of the guys singing “Crocodile Rock” doesn’t fully commit).

Now, until I scraped this off of the floor of YouTube, I hadn’t seen it in a good twenty years and while I remember it being an odd commercial, I can honestly tell you that I had forgotten how flat-out insane it was.  And much like the Coke Is It! commercial and Juicy Fruit commercials from the 1980s, I felt the need to take a look at some of the people in the commercial who are just feeling so good.

I Feel Good“I Feel Good” is the first song mentioned in the commercial and that’s definitely appropriate because the album is called Feel Good Rock.  Here we have two people who are either at a bakery or are getting ready to tape tomorrow’s episode of Supermarket Sweep and they are just really into it.  Either that, or the woman is having a stroke.  Either way, I’m pretty sure that this commercial became famous in the house to the point where every time it was on, Dad would call the kids into the den, yelling, “Hey, the commercial’s on again!”

To which their teenage daughter, who has hanging with her friends in the other room, would storm into the den and scream, “GOD, STOP!  YOU ARE SO EMBARRASSING!” and storm out. (more…)