music

Come as you are, as you were, as I want you to be

kurt-cobainSo it’s been twenty years since Kurt Cobain’s suicide.  I suppose that I’m not the only person writing a piece about it today (although I’m definitely one of the least important people writing about it).  Truth be told, if I wasn’t spending much of this year looking at 1994, I might not have even noted it beyond recognition upon seeing a Facebook post or something.

His death didn’t affect me very much–celebrity deaths rarely do.  However, when I was sixteen, I wasn’t that much of a fan of Nirvana.  Oh sure, I’d enjoyed the songs I’d heard off of albums like Nevermind, but I didn’t own any of them and was more into stuff like Pearl Jam, Stone Temple Pilots, and Metallica.  I suppose that might all have been different had I access to MTV on a daily basis but I can’t exactly write about something that wasn’t true.

What was true is that my friend Brendan called me up on April 8 and told me he saw something on MTV about Kurt Cobain having been found dead (Cobain’s autopsy would later reveal that he’d died on April 5).  We made some jokes about it adn then talked about something else.  It was probably hockey or school.  That night, I went to a meeting for the People to People Student Ambassador group for the trip to Europe I was scheduled to take that summer.  One girl, whose name I think was Tammy, was wearing a Nirvana T-shirt and I innocently asked if that was because of the news.  She replied that he wasn’t dead and that wasn’t completely true about the heroin overdose.  I apparently then became the person who first told her about Cobain’s suicide.

Beyond that, life went on.  I listened to other bands and explored other genres.  I did noticed that other people were more upset.  My sister’s friend, who had a flair for the dramatic, seemed pretty insistent on proclaiming that every lyric on every Nirvana album was a clue to his suicide.  There was at least one piece in the student newspaper about it.  And T-shirt stops at the mall seemed to be selling a lot more Nirvana T-shirts.

As the grunge of the early 1990s gave way to the fluorescent pop of the late 1990s, I began to see the significance in his death, culturally if not personally.  Cobain’s suicide is almost a dividing line between the two decades, establishing a Nirvana/Britney Spears divide between Generations X and Y (for lack of better terms, anyway).  It also winds up establishing Nirvana as a near-perfect band.  Okay, I’m not a fan of In Utero but the group has that Beatles-esque achievement of ending before they could really suck, whereas Pearl Jam was more like the Stones–slowly fading with diminishing returns and occasional flashes of brilliance.

Had Cobain not taken his own life, how would things have been deifferent?  Would we have gotten another Nevermind or would they have been put out Binural?  Would Kurt and Courtney have continued to be a trainwreck of a couple or would they look like Gavin Rossdale and Gwen Stefani (well, before they broke up)?  Would Nirvana’s continued presence prevent the rise of The Goo Goo Dolls, Marcy Playground, Third-Eye Blind, Smashmouth, Fastball, and a host of other “Where are they now?” bands from the late 1990s and early 2000s?

Such speculation is both fun and frustrating.  So are overwrought odes to dead artists and pretentious think pieces.  At least on a day like this, we can take the time to appreciate his contributions to music.

Pop Culture Affidavit Episode 23 — The Album That Changed My Life

Episode 23 CoverDo you have the time to listen to me whine?  No?  Well, do you have the time to listen to me talk about Green Day’s Dookie, which was released twenty years ago and is one of the most important albums I ever purchased?  You do?  Great!  I’ll give some history on the album, go through it track by track and then explain exactly why, when I was 17 years old, this punk classic changed my life.

You can listen here:

iTunes:  Pop Culture Affidavit

Direct Download 

Pop Culture Affidavit podcast page

As a bonus, here is the CD cover …

Dookie CD CoverHere is the orignal version of the CD’s back cover …

Dookie Back Cover

 

And here are links to articles and books mentioned the episode …

“Young, Loud, and Snotty”  (1994 Spin article)

Our Band Could Be Your Life by Michael Azzerad (Amazon.com)

 

Pop Culture Affidavit Episode 20 — Eddie Lives!

Episode 20 CoverThe latest episode is a little late but I promise you it’s well worth it.  This time around I take a look at one of my absolute favorite rock and roll stories, Eddie and the Cruisers.  I delve into P.F. Kluge’s original novel; talk about the 1983 feature film starring Michael Paré as Eddie Wilson, along with Tom Berenger and Ellen Barkin; and I even cover the sequel, Eddie and the Cruisers II: Eddie Lives!  So come along for a rock and roll ghost story for the ages!

You can listen here:

iTunes:  Pop Culture Affidavit

Direct Download 

Pop Culture Affidavit podcast page

Here is the trailer for Eddie and the Cruisers:

Here is the trailer for Eddie and the Cruisers II: Eddie Lives!: 

And just because it’s so cool, here’s the full Eddie and the Cruisers poster:

Eddie and the Cruisers Poster

Pop Culture Affidavit Episode 19 — August and Everything After

Episode 19 CoverThis time around, I have yet another guest on the show and it’s an awesome special guest, my friend chelle who spends about 90 minutes with me talking about the 1993 Counting Crows debut album, “August and Everything After.” We talk about the album’s history and go through it song by song and bring up everything that we like about the album and the band, which has been around for 20 years now.

You can listen here:

iTunes:  Pop Culture Affidavit

Direct Download 

Pop Culture Affidavit podcast page

After the jump, a few extras … things that were mentioned in the podcast. (more…)

Pop Culture Affidavit, Episode 14 — Life is a game. Easy to start. Hard to finish.

Singles PosterThis time around in the podcast I take a look at the 1992 Cameron Crowe-directed film Singles, a romantic comedy whose soundtrack became one of the definitive albums from the 1990s.  Starring Campbell Scott, Kyra Sedgwick, Bridget Fonda, and Matt Dillon and set in 1991 Seattle, Singles follows several characters in their twenties as they go through the complexities of trying to date and find love.

But of course, many people remember it for its music:  Pearl Jam, Alice in Chains, Soundgarden, Mudhoney, Smashing Pumpkins, and other bands important to the era make appearances on the soundtrack and even in the film, which is a great snapshot of a particular moment in our cultural history.

I spend the episode discussing the movie as well as my opinion of it and then spend a little bit of time on the soundtrack as well as a bit on its lasting legacy.

You can listen to the podcast via iTunes, or here:  Pop Culture Affidavit Episode 14

Also, if you’re interested, here is some extra reading–articles and blog posts that I used for research this episode …

Singles Soundtrack Cover“Singles Turns 20: Who Would be on the Soundtrack in 2012?”  (Spin)

“Singles: 25 Things You Didn’t Know About the Cameron Crowe Flick” (Moviefone)

“Where’s the Cast of Singles Now?” (NY Daily News)

“Singles Soundtrack Turns 20″ (Stereogum)

Singles Production Notes (“The Uncool”: The Official Website for Everything Cameron Crowe)

“Mindhole Blowers: Cameron Crowe’s Singles Inspired NBC’s Friends and 14 Other Facts That Might Explode Your Head” (Pajiba.com)

“Five Ways Singles Ruined My Life” (Hello Giggles)

 

And as mentioned in the podcast, I have some pictures of my VHS copy, which was bought from the late, lamented Sayville’s Video Empire …

DSC_0073

DSC_0075

DSC_0072

Pop Culture Affidavit Episode 11 — The Columbia House Thirteen

Columbia House CoverHey everyone, take advantage of this special offer where you will get a ton of CDs for JUST ONE PENNY!

Does that sound familiar?  If it does, then you’re familiar with Columbia House, the record, tape, CD, and video club that flourished in the 1970s, 1980s, and 1990s and provided mail-order entertainment for America, one person at a time (or at least that’s what the commercial says).

So, this time around, I not only take a look at Columbia House but at my personal experience with Columbia House, as I got my very first CD player when I was sixteen years old (twenty years ago!) and also signed up, eventually starting my music collection with thirteen CDs.

I had very different tastes in music back then.

You can listen here:

iTunes:  Pop Culture Affidavit

Direct Download 

Pop Culture Affidavit podcast page

The following is a list of albums and songs mentioned in the podcast in case you’re interested in actually checking out the music (and if you are interested in purchasing some, use the Amazon link at Two True Freaks) …

  • Alice in Chains, Dirt (“Would?”)
  • Guns N’ Roses, Appetite for Destruction (“Think About You”)
  • Guns N’ Roses, Use Your Illusion I and II (“Breakdown,” “You Ain’t the First,” “Estranged,” “Pretty Tied Up”)
  • Elton John, Greatest Hits 1976-1986 (“I’m Still Standing,” “I Guess That’s Why They Call It The Blues”)
  • Last Action Hero Original Motion Picture Soundtrack (AC/DC, “Big Gun;” Def Leppard, “Two Steps Behind;” Aerosmith, “Dream On;” Cypress Hill, “Cock the Hammer”)
  • Denis Leary, No Cure for Cancer (“Asshole”)
  • Megadeth, Countdown to Extniction (“Symphony of Destruction”)
  • Nine Inch Nails, Broken (“Wish,” “Physical [You’re So],” as well as the remixes of “Wish” and “Happiness in Slavery” on Fixed)
  • Say Anything … Original Motion Picture Soundtrack (Peter Gabriel, “In Your Eyes”)
  • Singles Original Motion Picture Soundtrack (Paul Westerberg, “Waiting for Somebody”)
  • Stone Temple Pilots, Core (“Plush,” “Wicked Garden”)
  • Wayne’s World Original Motion Picture Soundtrack (“Wayne’s World Theme [Extended Version];” Queen, “Bohemian Rhapsody;” Jimi Hendrix, “Foxy Lady;” Gary Wright, “Dream Weaver;” Tia Carerre, “Ballroom Blitz;” Red Hot Chili Peppers, “Skiamikanico”)

Because rock should make you feel good

RecordsI spent a lot of my teenage summers inside.  Oh sure, there were family vacations, Saturday afternoons playing hockey, and Tuesday evenings playing softball, but there were also entire weeks where I barely left the house, so much so that I knew that the same Craftmatic Adjustable Bed commercial came on every day at 1:00 p.m. on WPIX.

I think it was then that my father would force me out of the house by cranking the dehumidifiers in both the basement and den, therefore making it impossible to watch television.  That, or he’d find some sort of back-breaking manual labor for me to do.

Anyway, among the many types of commercials I watched were commercials for compilation albums.  Put out by companies such as Time-Life Music, these were collections of famous songs that fit a particular theme.  In Time-Life’s case, there were collections for different decades such as the 1960s or 1980s (I personally own all of Sounds of the Eighties), but there were also compilations such as AM Gold and Love Songs.  

The commercials were always pretty much the same.  There was some sort of intro, and then several song titles would scroll up the screen while either a clip or photo of the artist or stock footage of people from a Mt. Airy Lodge commercial was shown.  The song playing would change every once in a while and then you’d get some message about how you could order the albums, which usually came on record, cassette or CD (and later on cassette or CD).

But a select few took this commercial concept to another level.  There, of course was Hey Soul Classics  and its “No my brother, you’re gonna have to go buy your own!” and the classic exchange at the beginning of the Freedom Rock commercial:

“Hey, man, is that freedom rock?”

“Yeah, man!”

“Well, turn it up, man!”

And as awesome as those are, nothing trumps what has to be the most insanely bizarre yet spectacularly awesome compilation commercial of all time.  Dear readers (both of you), I give you Feel Good Rock.

The commercial starts out kind of silly, using old 1950s sci-fi footage in a way that is a pretty common commercial trope, but then takes a turn that just about nobody is expecting when instead of the simple footage of bands performing their hits or the classic stock footage of people being romantic and/or having a good time, we get two minutes–yes, two minutes–of people ridiculously lip-synching the hits contained on the album.  In some cases, there are people who have clearly been waiting their whole lives for this moment (the woman in the waitress uniform clearly is enjoying her moment in the spotlight), and in other cases, the people barely know the words (one of the guys singing “Crocodile Rock” doesn’t fully commit).

Now, until I scraped this off of the floor of YouTube, I hadn’t seen it in a good twenty years and while I remember it being an odd commercial, I can honestly tell you that I had forgotten how flat-out insane it was.  And much like the Coke Is It! commercial and Juicy Fruit commercials from the 1980s, I felt the need to take a look at some of the people in the commercial who are just feeling so good.

I Feel Good“I Feel Good” is the first song mentioned in the commercial and that’s definitely appropriate because the album is called Feel Good Rock.  Here we have two people who are either at a bakery or are getting ready to tape tomorrow’s episode of Supermarket Sweep and they are just really into it.  Either that, or the woman is having a stroke.  Either way, I’m pretty sure that this commercial became famous in the house to the point where every time it was on, Dad would call the kids into the den, yelling, “Hey, the commercial’s on again!”

To which their teenage daughter, who has hanging with her friends in the other room, would storm into the den and scream, “GOD, STOP!  YOU ARE SO EMBARRASSING!” and storm out. (more…)

Pop Culture Affidavit Episode 4: A Soundtrack for the End of the World

Pop Culture Affidavit Episode 4 CoverHey everyone, it’s time for THE APOCALYPSE!!!  And while you’re sitting around wondering if a civilization that’s been dead for the better part of half of a millennium was right about the world ending, I thought I’d supply you with some music.

You can listen to the entire episode, which is basically one big playlist, here:

iTunes:  Pop Culture Affidavit

Direct Download 

Pop Culture Affidavit podcast page

Below is a list of songs with videos provided where available …

Intro music:  Great Big Sea, “End of the World” (Live)

1. MC5, “Kick Out the Jams”

2. Andrew W.K., “Ready to Die”

3. Billy Joel, “Miami 2017 (Seen the Lights Go Out on Broadway)” (Live)

4. Nena, “99 Luftballons”

(more…)

Pop Culture Affidavit Episode 3 — Nothin’ Lasts Forever, Even Cold November Rain

In the third episode of Pop Culture Affidavit, I take a look at “November Rain,” a song from Guns n’ Roses’ 1991 album Use Your Illusion I that was released as a single and had an award-winning video that dominated MTV’s heavy rotation in 1992.

Along with talking about the song, I do a commentary for the music video and actually play it on my keyboard (although to be honest, I play it pretty badly).  You’ll laugh, you’ll cry, you’ll want to wear Slash’s hat.

You can listen here:

iTunes:  Pop Culture Affidavit

Direct Download 

Pop Culture Affidavit podcast page

To supplement the episode, here are a few things that I talked about on the podcast.

First, the ever-famous music video (note:  you’ll probably have to watch an ad before you play the video so adjust your commentary track accordingly — and start playing the video about a second after I say “play.”  Listening back, I realized that I was off a little.  It’s my first commentary, go easy on me.):

Next, here’s a link to the short story “Without You” by Del James, upon which the video was based:  “Without You”

(more…)

Self-Righteous

The watershed moments in your life rarely come with a script.  Oh sure, you have your major milestones and accomplishments but the moments of true epiphany are the most random, often happening when you least expect it.  One such moment in my life came before a club meeting during my senior year of high school.  I was helping pass out agendas and had left my backpack on my seat.  A friend of mine, Jim, was a fellow officer in the club happened to see my Walkman and out of curiosity, pulled it out of my bag and gave it a listen.  I returned to the table in time to see a look of complete confusion make its way across his face.

“Give me that,” I said, snatching the Walkman out of his hand.  Jim didn’t respond, and I put my headphones on to hear what had prompted such a strange look.  Playing near full blast was “You’ve Lost That Lovin’ Feelin’.”

Luckily, the meeting soon began and Jim didn’t care enough to mention it again or to anyone else, and needless to say that had me relieved because while I brushed the incident off, I felt the same sort of weird guilt you’d feel as if you’d been caught masturbating.  This was music I had been listening to when nobody was around, an act of musical self-pleasure that I kept hidden from the guys I talked heavy metal with at the lunch table where for all they knew, I was genuinely impressed that Jeff tracked down a Megadeth bootleg or that Brian finally acquired the studio version of “Breadfan” when he bought the Japanese import single for “One.” Had he mentioned it to the group of people we hung out with, I would have been mercilessly ridiculed, like the time they found my copy of Born in the U.S.A. and wrote “Nice ass!” on the cover.

I probably shouldn’t have cared, to be honest.  What’s wrong with having your own tastes?  Who cares what other people think, right?  But I was an individual with serious self-esteem problems and a need for approval that meant not only did I really want to seem like I was cool, but I was quite possibly the easiest target for ridicule.  I will spare you the vulgar nicknames, the perfume sprayings, and other jokes in my honor and say that though Bill Medley and Bobby Hatfield’s glory years were a good thirty years behind them at that point, my listening to the Righteous Brothers tape I’d borrowed from my mother, especially “You’ve Lost That Lovin’ Feelin'” had a perfectly reasonable explanation:  Top Gun. (more…)